February 16, 2017
As part of our ongoing Commonist Aesthetics essay series we have recently published “Faces as Commons. The Secondary Visuality of Communicative Capitalism” by Jodi Dean.
Commonist Aesthetics is a loose series of articles on commonism as the contemporary afterlife of the idea of communism. The contributions by Marina Vishmidt, Mikkel Bolt Rasmussen, Isabell Lorey, Sven Lütticken, Andreas Siekmann, Christoph Brunner & Gerald Raunig, Marc James Léger, Érik Bordeleau, Matteo Pasquinelli, Tom Holert, Geert Lovink and Jodi Dean will soon be supplemented by a text of Michel Bauwens. Later this year, the whole Commonist Aesthetics project will be rounded off by a book publication.
We have also recently published “Cyborg Politics. Notes for a Lexicon” by Zhenia Vasiliev as part of Between and Beyond, a series of artists’ publications that is the result of the 2015–2016 Open! COOP Academy Publishing Class at the Dutch Art Institute (DAI) MA Art Praxis. The topic for last year’s Publishing Class was critical posthumanism.
Following up on the essay "Affect Space" written for Open! by media theorist and researcher Eric Kluitenberg early 2015, Open! in collaboration with Kluitenberg started a new project entitled Technology / Affect / Space. T / A / S is a conceptual and interdisciplinary research project into the interaction of technology, affect and public space. The project explores the dynamics, aesthetics, design, and politics of a new emergent techno-sensuous spatial order we refer to as ‘Affect Space’. This exploration resulted in three public events in respectively Cambridge (April 6, 2016, in cooperation with the MIT Program in Art Culture and Technology), Amsterdam (De Balie, April 22, 2016, in collaboration with LAPS) and Rotterdam (May 20, 2016, with Het Nieuwe Instituut). The project will soon continue with a series of publications on Open!.
To new readers: We are very happy to welcome you at the publishing platform and living archive of Open!, which was designed by Niels Schrader and Mind Design. The site should offer a truly dynamic, discursive environment that continues to focus on the changing conditions of the public domain and public sphere, and the consequences of privatisation, mediatisation and globalisation processes on our social, cultural and artistic practices. It includes the almost complete contents of Open: Cahier on Art & the Public Domain 2004–2012 and everything that has been published since then. We request your patience, as we continue to revise and digitise the archived images and texts. The Open! archive is alive and well – indeed.
To optimise and enrich the online research and reading experiences, the new website allows the user to always retain a full overview of the volume of the archive, even while deeply immersed in the reading of an article. The content is presented next to three navigation columns that connect related pieces of texts via cross- and hyperlinks, provide additional explanations via definitions and include footnotes and references to literature. The site has been optimised for desktop and tablet view.
How does one navigate the new Open! site? Well, you can browse through our content by: Year, Content type, Theme and / or Tag; you can also use the Timeline interface, the search engine or find texts via Contributors. You can access the latest articles by simply clicking Articles and browse through these linearly with the previous / next button. Under Timeline, you can easily browse through the chapters of any article you are reading.
If you still prefer reading in an analogue format, you can simply download texts as PDFs.
Last but not least, we’ve added a Donation / Support function. Since Open! is a non-profit organisation with no structural funding, we depend on all-important donations to enable us to maintain the Open! platform and share its content with you. A donation would be highly appreciated.