Between and Beyond

On Demasculinization

Speculation on a Demasculinized Society

Wayne W. J. Lim

Essay – July 13, 2017

This speculative essay on demasculinization is a culmination of our (myself and André Chapatte) ongoing discussions and exchanges regarding methods for embodying (de)masculinity – understanding emotions as a strategy to rebel against the larger patriarchal capitalist system. Although the initial intention was to move towards ‘achieving gender equality’, I have since changed course in order to both construct and speculate on what demasculinization could mean and give rise to. My motivation is not just to consider the meaning and process of demasculinization, but also to create a lexicon for this potentially under-theorized idea.

We want to understand how we as men can rethink and reposition ourselves in this patriarchal society and make it less patriarchal by envisioning a different course for Homo sapiens in retrospect. How to stop ‘acting like a man’; here, I find the words of author, educator and activist Tony Porter most fitting:


Seven Work Ballets and Mierle Laderman Ukeles

Sarah Demeuse

Review – July 13, 2017

Almost fifty years ago, artist Mierle Laderman Ukeles coined the concept ‘maintenance art’ in her ‘Manifesto for Maintenance Art 1969! Proposal for an Exhibition “CARE”’ (1969). Central to maintenance art is ‘Life Instinct’, what she describes as: ‘the unification; the eternal return; the perpetuation and MAINTENANCE of the species.’ We learn from the same manifesto that the exhibition of maintenance art would ‘zero in on pure maintenance, exhibit it as contemporary art, and yield, by utter opposition, clarity of issues’. She has dedicated her practice to fulfilling this goal, clarifying through opposition, namely, the neglect of reproductive labour under capitalism.

Through writing, making and forging alliances with the press she makes both her work and the issues it advocates visible. Yet in-depth publications about her work have been largely non-existent, until now. One reason is the challenge posed by any book-length presentation on this artist – never mind an exhibition – given the abundance of her carefully executed interpersonal communications. In preparing an exhibition of her work, Queens Museum curator Larissa Harris asked: […]


Watching Puerta del Sol

On Protest Space and its Temporal Conflicts


Essay – June 28, 2017

Lately I have been having trouble sleeping and thinking. I believe it all started during a roundtable conversation at Matadero Madrid: Centro de Creación Contemporánea. The event was called Hypermad1 and organized by Master in Architectural Communication (MACA)2 students as part of a discussion series about the homeless. We sat down and the moderator began the debate by asking what in any other circumstances, would have been an ordinary question: ‘In which public spaces of the city do you spend more time?’ That is, it would have been a normal question for someone who wasn't addicted to urban streaming webcams 24 / 7.

Let me explain myself: I and two other colleagues (an engineer and an architect) started a project called Open Urban Television (OUT).3 It consists of placing webcams that stream 24 / 7 in the most important and iconic protest spaces of Madrid. This project takes the form of an online platform that can be accessed by any citizen at any time so they might watch what goes on in their public spaces.

Allow me to return to the breakdown episode I refer to above, triggered by the moderator’s question. The moment it was asked my mind went completely blank as I realized that the most important public space in my daily life was Puerta del […]


The City as Performative Object

An Essay in Footsteps


Artist contribution – June 27, 2017


A Dream of Diagonals

Interview with Ho Tzu Nyen

Renan Laru-an

Essay – June 16, 2017

Tzu Nyen makes films, installations and theatrical performances out of historical and philosophical texts and artefacts. His work has been presented at the Guggenheim Museum (New York, 2013), Guggenheim Museum Bilbao (Bilbao, 2015), Mori Art Museum (Tokyo, 2012) and the 54th Venice Biennale (Venice, 2011). His films have premiered at Cannes Film Festival and the 66th Venice International Film Festival.

This interview2 attempts to pierce through ‘a stretched [artistic] self’, a skin that attempts to comprehend the vastness and delirium of a region, during a time of aggressive economic integration and efficiency, growing populism and conservatism and the relapse into an internationalist gaze on Southeast Asia. How do we receive and read a community of terms, of articulations, of interconnections? To enter Tzu Nyen’s dictionary, the exchange below locates some points of apprehension that a dictionary usually evokes, while taking the chance to review some familiar and neglected terms and conditions in composing a constellation of signs and meanings. It, then, proceeds to the movement of entries, how they are being inducted into the dictionary and what they could mean as artistic positio […]

Informal Media

Social Media Abyss: Critical Internet Cultures and the Force of Negation

Marysia Lewandowska

Review – April 14, 2017

This is a wise and timely book, grown out of a passion for thinking as it is intensely connected to doing. In his latest book, network cultures theorist and activist Geert Lovink scrutinizes the net behaviour of providers and users, making painfully clear the long-term consequences if we continue to uncritically bond our lives to social media platforms. While arguing for inventive forms of disengagement from the virtual world he admits that it would be difficult ‘to lose interest in something designed to be vital’. He insists on reinvigorating our attention to code and network architecture while at the same time warning against offline romanticism. 

He sees politicizing hidden online infrastructures and making their workings public as an important step in retaking some control and rebuilding trust among users. By asking why the Internet has not been maintained as a public infrastructure from the beginning, he reminds us how the potential for redistributive practices has been hampered by Silicon Valley. He bravely proposes crowd funding as a system for producing the commons, where private inputs are translated into common outcomes. Recent initiatives within the art context involve Art Basel teaming up with Kickstarter and the […]


Living Earth: Field Notes from the Dark Ecology Project 2014–2016

Sarah Jones

Review – April 13, 2017

A Living Earth is filled with the sound that you feel behind your ribs before your ears catch up. Sound that’s in the back of your throat before you can say you’ve heard it – darkness chips away a thousand feet below the surface – your alveoli shrink as the (w)hole gets wider and deeper. Plunging downwards, the sound buckles and you are on your knees listening to what happens after the ‘apocalypse.’1 Ore pulses throughout the sheath of rock that folds over your head. Tap the shining lines – blackness, sweat, a seething mass, a wall of sound, bodies – copper, nickel laced with pyrrhotite: metal. Feel a ringing in your molars and in your palms. ‘Something not in your ontic vicinity is exerting causal pressure on you.’2

Commonist Aesthetics

Commoning Governance Talk

Michel Bauwens

Essay – February 24, 2017

I would like to start today with presenting a really interesting graph I encountered in a book by Tine De Moor, who is quite well-known here, as she works in Utrecht.1 In her booklet Homo cooperans (2013), she calculates the number of civic and cooperative initiatives in the Netherlands. There is linear growth from 1980 until 2005, but from then on growth is exponential. This has been confirmed in a second report by Oikos for the Flanders, which saw a ten-fold increase in less than ten years, starting in 2009.

Now, it is very easy to be pessimistic about the future, especially after the election results in the US and elsewhere, but this flowering of civic initiatives should not be discounted and shows us another type of transition is on the way as well. 

What I think we are seeing today is a major shift in the value regime. Robert Moore, in his book The First European Revolution (2000), describes how until the tenth century Europe was still structured more or less as it had been during the Roman Empire. The actual political power of the Roman Empire was gone, but its type of political and social structure based on masters, slaves and freemen was still very much alive and the economic wealth was based on conquests. It took a social mobilization of the common people, resulting in a social revolution, a movement called The Peace and Truce of God. The movement started in the South of France with the massive mobilization of poor people under the leadership of the monks of Cluny to create a new social contract, which led to the transformation of the plunder economy to the feudal economy. This means a change in the value regime towards one based on extracting surplus from land. Similarly, you could think of the fifteenth century, with the invention of double bookkeeping, the printing press, the purgatory as an ideological construct and other changes that would eventually lead to the value regime of […]


Technology / Affect / Space

Eric Kluitenberg, Jorinde Seijdel

Editorial – February 23, 2017

Technology / Affect / Space (T / A / S) is a conceptual and interdisciplinary research project into the interaction between technology, affect and public space initiated by Open! together with media theorist Eric Kluitenberg. It can be considered as a continuation and actualization of the Hybrid Space issue of the Open! print cahier in 2006 on the mobilization of public space facilitated – and even initiated – by wireless media. In Hybrid Space we noted that publicness has become ‘a complex of concrete and virtual qualities, of static and mobile domains, of public and private spheres, of global and local interests’ and asked how a critical position could be possible in a hybrid space that is characterized by invisible information technology. Since then Web 2.0 and wireless media have only developed further; social networks such as Facebook and Twitter came into being and mobile media devices are now ubiquitous. T / A / S takes into account the ultimate implications of this for the public sphere in exploring the dynamics, aesthetics, design and politics of an emergent techno-sensuous spatial order that we refer to as ‘Affect Space’. There have been three exploratory public events so far on this topic in 2016: Amsterdam (with De Balie […]


Improvisational Necessity and its After Affects

Sher Doruff

Essay – February 20, 2017

‘Let us not then make the future our project, let us improvise.’
– Fred Moten

‘You make clear that affect is before emotion, feeling, and perception. Is there any thing before ‘‘affect’’? – There is everything before affect: participation.’1
WTF Affect in discussion with Brian Massumi

‘[...] improvisation’s ubiquity becomes the modality through which performance is articulated.’
– George Lewis


Entangled Data: Modelling and Resistance in the Megacity

Alessandra Renzi

Essay – February 20, 2017

Baywalk Mall is one of Jakarta’s newest commercial developments, inviting visitors to ‘Enjoy True Leisure!’ The mall is located in the Green Bay Pluit super block and provides for a complete shopping and time out adventure for the residents of the seafront apartments and condominiums. This packaged experience delivers a sought-after elite lifestyle for Jakartans – for whom the water sports recreation centre; the kids entertainment zone; the fitness centre; the restaurants, cafés and boutiques; the BBQ area; the plaza and swimming pool; the three-hectare botanical park for cycling, fishing, jogging and relaxing; the twenty-four-hour security; and the closeness to the airport, medical facilities, international schools and shopping centres provide ‘a high value investment.’1 In addition to residential units, Green Bay Pluit also offers business kiosks to reach its estimated 20,000 inhabitants with new services and products.

On the ground floor of Baywalk Mall is an extremely large model of yet another ambitious development connected to Green Bay Pluit by multiple stylish bridges. Pluit City will be a 160- hectare ‘stunning modern city’ on reclaimed artificial land half the size of New York […]

Commonist Aesthetics

Faces as Commons

The Secondary Visuality of Communicative Capitalism

Jodi Dean

Essay – December 31, 2016

Communicative capitalism names the intertwining of democracy and capitalism in global telecommunications networks and personal participatory communication devices. Just as industrial capitalism relied on the exploitation of labour, so does communicative capitalism rely on the exploitation of communication. In communicative capitalism, reflexivity captures creativity, sociality, resistance, and critique enclosing them into mediated networks for the financial gain of a corporate and shareholding class. Within mass social and personal media networks, expressions of dissent enrich the few and divert the many. The media practices we enjoy, that enable us to express ourselves and connect with others, reassemble dissent into new forms of exploitation and control.1 Once we accept that capitalism is communicative and communications are capitalist, where might we find openings for critique, opportunities for resistance, and possibilities of breaking free? Differently put, if a central contribution of Marx’s analysis of capitalism was his identification of the ways capitalism produces its own gravediggers, what elements of the present pointing beyond it does communicative capitalism identify? One answer appears in the commoning of faces, a practice that emerges out of the communicative practices of mass social and personal media. To explore this commoning, I develop the idea of […]


Twilight of the Anthropocene Idols

Ilse van Rijn

Review – December 30, 2016

Ever since being mentioned by Dutch chemist Paul J. Crutzen at a global change conference in 2000, the concept has been pervasive: we are living in the Anthropocene, a geological epoch marked by global ecological change caused by humans.1 An article Crutzen wrote with American biologist Eugène Stoermer further elucidated the intertwined history of human beings and planet Earth from the late eighteenth century invention of the steam engine onward.2 The term Anthropocene has been met with divisive response, however – be it in the art world or otherwise. Twilight of the Anthropocene Idols (2016) addresses this reaction by asking: What is implied in the ‘anthropos’ as single agent of biogeophysical destruction? What narrative binds humans to ecocidal charges? Taking this notion to task is timely, especially given the authors’ argument that the ‘dazzling brilliance of the Anthropocene idea’ can only be seen clearly in its waning light. 

The book consists of three parts, each written by one of the authors. Although they delve into slightly different aspects of the Anthropocene – Cohen argues for a cynical attitude that questions whether climate change should be ascribed to anthropos alone, especially given his observation more generally that climate change be a […]

Between and Beyond

Cyborg Politics

Notes for a Lexicon

Zhenia Vasiliev

Artist contribution – November 16, 2016

Present-day society has advanced to become a grid of identities wherein agents, according to their desires, are expected to integrate and take part in enacting the new state’s protocols. At the same time, and due to the open-source nature of today’s technological tools, the new state, however ubiquitous and infiltrating its mechanisms strive to become, is no longer a unique source of government. While it is the mainstream power network by default, it is being challenged by a multiplicity of alternative forces of various origins, all of which could fall under the term cyborg politics. This contemporary category of political resistance is activated via agents’ potential to transgress the grid and to drift freely.

Cyborg politics is a system of relations open to everyone – it is not assumed that participants need to plug into the grid or register with their local city council. The new kind of politics is dispersed, queer and based on affinities; it has no leaders; its members are no longer subject to disciplinary mechanisms, or any kind of sovereignty, or control apparatus of biopower alone. Cyborg politics fosters diversity and renders ideological constructions such as race, class and gender […]

Commonist Aesthetics

Before Building the Avant-Garde of the Commons

Geert Lovink

Essay – November 1, 2016

‘Power is invisible, until you provoke it.’1GFK

‘Bread and circuses for everyone, wealthfare for the elites and welfare for the restless disenfranchised.’ – ZeroHedge

‘“Rock stars” are arrogant narcissists. Plumbers keep us all from getting cholera. Build functional infrastructure. Be a plumber.’ – Molly Sauter

‘We live in the golden age of ignoring smart people.’ – Zak Smith

‘We lost the fight for the Internet. But the battle against central authority remains.’ – Peter Sunde

‘We may be decentralized and disagree on a lot of topics amongst ourselves, but operations are always carefully coordinated.’ – Anonymous

Operating inside the contexts of technology, media activism, and Internet politics, the ‘commons’ is finally turning into a hotly debated topic outside of theory and activist circles. Code is shaping our world, and its architecture is voluntary and plastic. However, written by geeks and engineers this code is anything but God-given, let alone neutral. Where do the underlying ideas come from and how are we going to accelerate the transition? Who is taking the l […]

Commonist Aesthetics

Margins of (Re)presentability

Contemporary Art and Knowledge Politics

Tom Holert

Essay – October 12, 2016

Since the late 1990s French artist duo Bureau d’Études (Léonore Bonaccini and Xavier Fourt) has worked on the investigative visualization and theorization of a system of global power relations. Their strikingly complex organizational charts of the ‘world government’ constituted by corporations, supra-national organizations, NGOs, state bureaucracies, the military and prison industries complexes, etc., populated the collective imaginary of the alter-globalist movement of the second millennium. The maps provided activists in Seattle, Porto Alegre, Genoa and elsewhere with hyper-dense information about a largely hidden network of repression and rule. Close collaborator Brian Holmes remembers how Bureau d’Études’s infographic work ‘exerted an estranging effect of disidentification and disorientation’ among its audience.2 ‘Again and again you would see people peering into them, lost in thought, dumbstruck with curiosity, charged with a kind of cerebral rage.’3 However, as Holmes does not fail to mention, the conditions under which such artistic-activist knowledge production took place were about to change drastically with the post-9 / 11 ‘new normal of global war and financial boom.’ […]


Post-Political, Post-Critical, Post-Internet

Why Can’t Leftists Be More Like Fascists?

Anselm Franke, Ana Teixeira Pinto

Review – September 8, 2016

In his address at Moscow University in 1988, President Ronald Reagan stood in front of a mural of the October Revolution. Pitting revolution against revolution, Reagan extolled the virtues of the ‘tiny silicon chip,’ the emblem for his revolution, which would allow humanity to break ‘through the material conditions of existence’ to enter a dematerialized world of information and code. His was an updated version of the American dream: a coming digital sphere promising universal connectivity, within which, value would be created ex nihilo, through the mere performativity of social signs, tying finance to the (in)formal subsumption of all aspects of life. It was not Reagan who invented this dream of a dematerialized economy but it was he who turned it into a capitalist religion: ‘Like a chrysalis,’ Reagan argued ‘we’re emerging from the economy of the Industrial Revolution – an economy confined to and limited by the Earth’s physical resources – into, as one economist titled his book, “The Economy in Mind”, in which there are no bounds on human imagination and the freedom to create is the most precious natural resource.’ Invoking the ‘ancient wisdom’ of the Bible, the president concluded: […]


Benjamin in Palestine

On the Task of the Translator in the Age of Platform Production

Jack Segbars

Review – September 7, 2016

The ‘Benjamin in Palestine’ conference and workshop in Palestine from 6 to 11 December 2015 was organized by an international group of critical theorists, activists, artists and Benjamin scholars.1 Three days of workshops – interspersed with artistic and academic presentations and interventions – centred on close readings of some of Benjamin’s key texts including: ‘Theses on the Concept of History’ (1940) in which Benjamin advocates for the necessity to stand with the oppressed at any given time vis-à-vis the power of the oppressor over history, thus keeping the space for the oppressed open; and ‘The Task of the Translator’ (1923), an exploration of translation and of language in terms of power relations and preventing instrumentalization in and through text. The last two days consisted of a conference with keynote speeches by Rebecca Comay, Susan Buck-Morss, and Slavoj Žižek, each of whom elaborated on Benjaminian thought in relation to the Palestinian context. Benjamin is a key person to turn to in contemporary Ramallah, as while a Jewish intellectual and icon of Western humanities, he remains an extremely influential cultural theorist due to his critical ideas on representation, state violence, and oppression, all of which still profoundly shape cultural production and the humanities of relevance to the Israeli occupation of Palestine. Case in point: Comay presented a paper on how to address the lack of a revolutionary testament of use in our current conditions by reconsidering […]

Between and Beyond

I, They, Body, Space

Maike Hemmers

Artist contribution – July 18, 2016

Between and Beyond


Giulia Crispiani

Artist contribution – July 10, 2016

0001 is coming meeting you. What is you though? Is it you the singular or the plural pronoun? Is it gendered? Come linger in the Cloud, and decide for yourselves what you rather consider to be seductive, what repulsive; thus make sure to programme your algorithm according to those resolutions. After all, future is never far. 
– The Cloud

Pronoia rules over a state of extreme cosmos, as everything is perfectly in equilibrium with everything else.

In a full state of meaning 0001 became a plant. Suppose that you consider yourself to still be a self, as you remember 0001 to be at time (1460456465)? What would you want to keep with you from your contemporary sensations?

It is time to leave that dusty attic, move on to the aseptic.

Would you want to remember how it feels to be touched? If you knew that you would live forever would you still need to reproduce? Survival won’t be at stake in the land of eternity. No need to defend your skin, only your metrics. But you don’t want to imagine a future that looks like time (922910409); a virtual reality of leather coats, plugged in a sensory deprivation tank. 0001 stopped the bullets, with the power of the 1 and the 0. You are your own […]