Brian Holmes is a cultural critic living in Paris and Chicago. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley, was a member of the editorial collective of the French journal Multitudes from 2003 to 2008, and has published a collection of texts on art and social movements entitled Unleashing the Collective Phantoms: Essays in Reverse Imagineering (New York: Autonomedia, 2007). His book Escape the Overcode: Activist Art in the Control Society is available in full at brianholmes.wordpress.com. Holmes was awarded the Vilém Flusser Prize for Theory at Transmediale in Berlin in 2009.
Stefan Nowotny is a philosopher based in Vienna. He has published widely, especially on philosophical and political topics and currently mainly works on the research project Europe as a Translational Space. The Politics of Heterolinguality carried out by the EIPCP. See further: www.eipcp.net.
Boris Groys is since 2009 a Full Professor of Russian and Slavic Studies at New York University, New York. As of December 2009, he is also a Senior Research Fellow at the Academy of Design in Karlsruhe, Germany. He additionally curates various exhibitions and publishes articles and books, including Art Power (2008), Going Public (2010) and Introduction to Antiphilosophy (2012).
Jodi Dean is the author of numerous books and articles. Her books include Solidarity of Strangers (1996), Aliens in America (1998), Publicity's Secret (2002), Žižek's Politics (2006), Democracy and Other Neoliberal Fantasies (2009), Blog Theory (2010) and The Communist Horizon (2012). Her most recent book is Crowds and Party, published by Verso in 2016.
Marco Scotini is an independent curator and art critic based in Milan. He is Director of the department of Visual Arts and Director of the MA of Visual Arts and Curatorial Studies at NABA in Milan. He is Editor-in-Chief of the magazine No Order. Art in a Post-Fordist Society (Archive Books, Berlin) and Director of the Gianni Colombo Archive (Milan). He is one of the founding members of Isola Art and Community Center in Milan. His writings can be found in periodicals such as Moscow Art Magazine, Springerin, Domus, Manifesta Journal, Kaleidoscope, Brumaria, Chto Delat? / What is to be done?, and Alfabeta2. Recent exhibitions include the ongoing project Disobedience Archive (Berlin, Mexico DF, Nottingham, Bucharest, Atlanta, Boston, Umea, Copenhagen, Turin 2005–2013), A History of Irritated Material (Raven Row, London 2010) co-curated with Lars Bang Larsen and Gianni Colombo (Castello di Rivoli, Turin, 2009), co-curated with Carolyn Christov-Bakargiev. He has curated solo shows and retrospective exhibitions of Santiago Sierra, Deimantas Narkevicius, Jaan Toomik, Ion Grigorescu, Regina Josè Galindo, Gianni Motti, Anibal Lopez, Said Atabekov, Vangelis Vlahos, Maria Papadimitriou, Armando Lulaj, Bert Theis and many others. His most recent exhibition was Disobedience Archive (The Republic) for the Castello di Rivoli (Turin) and he is currently working on an exhibition project dedicated to the art from Eastern Europe, to be opened in January 2014 in Bologna.
Maurizio Lazzarato is a sociologist and member of the editorial staff of the magazine Multitudes. He lives and works in Paris. 1996 saw the publication of his famous essay ‘Immaterial Labour’, whose theme he further developed in Lavoro Immateriale. Forme di vita e produzione di soggettività (Verona), which appeared a year later.
Jorinde Seijdel is an independent writer, editor and lecturer on subjects concerning art and media in our changing society and the public sphere. She is editor-in-chief of Open! Platform for Art, Culture & the Public Domain (formerly known as Open. Cahier on Art & the Public Domain). In 2010 she published De waarde van de amateur [The Value of the Amateur] (Fonds BKVB, Amsterdam), about the rise of the amateur in digital culture and the notion of amateurism in contemporary art and culture. Currently, she is theory mentor at the Gerrit Rietveld Academy and head of the Studium Generale Rietveld Academy in Amsterdam. With Open! she is a partner of the Dutch Art Institute MA Art Praxis in Arnhem.
Daniel J. Solove is a professor of law at George Washington University Law School. In 2008 he published Understanding Privacy; see: www.understanding-privacy.com. Solove is also the author of The Future of Reputation: Gossip, Rumor and Privacy on the Internet (2007).
Felix Stalder is a professor of digital culture and network theories at the Zurich University of the Arts and an independent researcher / organizer working with groups such as the Institute for New Cultural Technologies (t0) in Vienna. His research interests include: Free and Open Source Software, Free Culture, emancipatory cultural practices, theories of networks and the network society, of digital culture, of the transformation of space and its practices, as well as theories of subjectivity. His publications are available at www.felix.openflows.com.
Oliver Leistert studied philosophy, computer science and German literature. He was a research fellow at the Central European University in Budapest and at Sarai, an institute for new media and urbanity in Delhi. As a member of the DFG Graduiertenkolleg ‘Automatismen’ at University Paderborn, he researches the mobile media practice of social movements and its surveillance. For this research he conducted a series of interviews in cities around the globe.
Martijn de Waal is a writer and researcher. He is part of the New Media, Public Sphere and Urban Culture research project in the Department of Practical Philosophy at the University of Groningen. He is cofounder of TheMobileCity.nl – an international think-tank for new media and urban culture. See further: www.martijndewaal.nl.
Mark Shepard is an artist, architect and researcher whose work explores the implications of mobile media and embedded information systems for architecture and urbanism. He is an assistant professor of architecture and media study at the State University of New York in Buffalo.
Willem van Weelden is an Amsterdam-based teacher, lecturer and independent writer on new media culture, media theory and interaction design.
Pascal Gielen is full Professor of Sociology of Art and Politics at the Antwerp Research Institute for the Arts, University of Antwerp where he leads the Culture Commons Quest Office (CCQO). Gielen is editor-in-chief of the international book series Arts in Society. In 2016, he became laureate of the Odysseus grant for excellent international scientific research of the Fund for Scientific Research Flanders in Belgium. His research focuses on creative labour, the institutional context of the arts and cultural politics. Gielen has published many books translated in English, Korean, Polish, Portuguese, Russian, Spanish and Turkish.
Oliver Ressler (AT) is a graphic artist. Since 2003 he has been working on the project Alternative Economics, Alternative Societies. See further: www.ressler.at.
Jill Magid seeks intimate relations with impersonal structures. She is intrigued by hidden information, being public as a condition for existence, and intimacy in relation to power and observation. Magid is a visual artist, performer and writer. She lives and works in New York.
Chantal Mouffe is Professor of Political Theory at the Centre for the Study of Democracy at the University of Westminster in London. She has taught and researched in many universities in Europe, North America and South America and she is a corresponding member of the Collège International de Philosophie in Paris. She is the editor of Gramsci and Marxist Theory (Routledge and Kegan Paul, London, 1979), Dimensions of Radical Democracy. Pluralism, Citizenship, Community (Verso, London, 1992), Deconstruction and Pragmatism (Routledge, 1996) and The Challenge of Carl Schmitt (Verso, London, 1999), the co-author with Ernesto Laclau of Hegemony and Socialist Strategy. Towards a Radical Democratic Politics (Verso, London, 1985) and the author of The Return of the Political (Verso, London, 1993), The Democratic Paradox (Verso, London, 2000) and On the Political (Routledge, London, 2005). See further: www.westminster.ac.uk.
Thierry de Duve is a Belgian historian and theorist of contemporary art committed to a reinterpretation of modernism.
Irit Rogoff is a theorist and curator who writes at the intersections of the critical, the political and contemporary arts practices. She is Professor of Visual Culture at Goldsmiths College London University, a department she founded in 2002. Her publications include Terra Infirma – Geography’s Visual Culture (2001), A.C.A.D.E.M.Y (2006), Unbounded – Limits Possibilities (2008) and the forthcoming Looking Away – Participating Singularities, Ontological Communities (2009). She curated De-Regulation With the Work of Kutlug Ataman (2005–2008), ACADEMY (2006) and Summit – Non Aligned Initiatives in Education Culture (2007).
Eric Kluitenberg is an independent theorist, writer and educator, working at the intersection of culture, politics, media and technology. He was head of the media and technology program of De Balie, Centre for Culture and Politics in Amsterdam (1999–2011), and taught theory of interactive media and technological culture for a variety of academic institutions, including the University of Amsterdam, the Amsterdam University of Applied Sciences and Academy Minerva Postgraduate Studies in Groningen. He was also a scientific staff member of the Academy of Media Arts Cologne. Currently he teaches media and cultural theory at the Art Science Interfaculty in The Hague. In 2013 he was a research fellow at the Institute of Network Cultures, Amsterdam University of Applied Sciences. Publications include: Techno Ecologies (2012); The Legacies of Tactical Media (2011); theme issues '(Im)Mobility' (2011) and 'Hybrid Space' (2006) for Open! Platform for Art, Culture & the Public Domain; Delusive Spaces – Essays (2008); and The Book of Imaginary Media (2006). He is working on the preparation of an international anthology on Tactical Media co-edited with David Garcia, to be published by MIT Press in 2017. Projects include FREE!? – A one day journey into the cultures of sharing (2013), Economies of the Commons conference series (2008–2012), ElectroSmog – International Festival for Sustainable Immobility (2010) and Next 5 Minutes 3 & 4 – Festivals of Tactical Media (1999 / 2003).
Marc Schuilenburg teaches in the department of Criminal Law and Criminology, VU University Amsterdam. His latest book The Securitization of Society: Crime, Risk, and Social Order (2015) was awarded the triennial Willem Nagel Prize by the Dutch Society of Criminology. See further: www.marcschuilenburg.nl.
Wim Nijenhuis is an independent architect / writer on the history and theory of architecture, urban design and art. He introduced Paul Virilio in the Netherlands and wrote De diabolische snelweg (The Diabolical Highway, 2007). See: home.hccnet.nl for a updated biography.
Merijn Oudenampsen (1979, Amsterdam) is a sociologist and political scientist. He is affiliated to Tilburg University, doing a PhD research project on political populism and the swing to the Right in Dutch politics. He was guest editor of the 20th edition of the art journal Open, titled the Populist Imagination (NAi 2010). He edited a volume titled Power to the People, een anatomie van het populisme (Boom | Lemma 2012). His essays and other texts are archived on merijnoudenampsen.org.
Joss Hands is the author of @ is for Activism: Dissent, Resistance and Rebellion in a Digital Culture (2010). He teaches media and communication at Anglia Ruskin University, Cambridge where he is also co-director of the Anglia Research Centre in Digital Culture.
Florian Schneider is a filmmaker and media artist based in Munich and Brussels. He is one of the initiators of the campaign Kein Mensch ist illegal and curated the performance project Dictionary of War. He teaches at the Trondheim Academy of Fine Art and the Jan van Eyck Academy, Maastricht.
John Thackara is a writer, educator and design producer. He is the author of In the Bubble: Designing in a Complex World (2005) and of a widely-read blog at www.designobserver.com.
Tatiana Goryucheva is a media theorist, curator and lecturer based in Amsterdam. In her research and projects, she explores the politics of technological design, the culture of democracy and social engagement in relation to technology.
Metahaven is an Amsterdam-based design studio founded by Vinca Kruk and Daniel van der Velden. Apart from commissions, Metahaven works on research projects on visual identity, such as as the Sealand Identity Project (2004), Transparency Inc. (2010–2011), and the Museum of Conflict (2006). Metahaven’s work was shown at Forms of Inquiry (London, 2007), Manifesta 8 (Murcia and Cartagena, 2010) and Graphic Design Worlds (Milan, 2011). Solo exhibitions by Metahaven were Affiche Frontière (Bordeaux, 2008) and Stadtstaat (Stuttgart and Utrecht, 2009). Metahaven’s book Uncorporate Identity (2010) is an anthology of design projects and critical writings. See further: www.metahaven.net.
Nerea Calvillo is an architect and researcher who studied at the Escuela Tecnica Superior de Arquitectura de Madrid (ETSAM). She was awarded the Fulbright grant to pursue studies at Columbia University (MsAAD), she received her doctorate in 2014. She has worked at NO.MAD and Foreign Office Architects (FOA) before funding her own office C+ (2004), winning several national and international competitions. Her work and articles have been published in architecture magazines, academic journals and general media.
Stephen Duncombe is an associate professor at the Gallatin School of New York University, where he teaches the history and politics of media and culture. He is the author of, most recently, Dream: Re-Imagining Progressive Politics in an Age of Fantasy (2007) and the cofounder and codirector of the College of Tactical Culture and the School for Creative Activism in New York City.
Yves Citton is professor of French Literature of the 18th Century at the Université de Grenoble-3 and a member of the umr LIRE (CNRS 5611). He taught for 12 years in the department of French and Italian of the University of Pittsburgh, PA, after getting his PhD from the University of Geneva, Switzerland, and has been invited Professor at New York University, Harvard and Sciences-Po Paris. He co-directs the journal Multitudes and writes regular chronicles in the Revue des Livres.
Rudi Laermans is a full professor of sociological theory at the Faculty of Social Sciences at Leuven University. His research and publications are primarily situated within the domains of contemporary social and cultural theory and the sociology of art.
Nina Power is a senior lecturer in philosophy at Roehampton University and the author of One-Dimensional Woman (2009).
Wu Ming (full name: Wu Ming Foundation) is a collective of four writers currently based in Bologna, Italy. They have authored such historical novels as Q (under the name Luther Blissett), 54 and Manituana. See further: www.wumingfoundation.com.
Willem Schinkel lectures in theoretical sociology at the Erasmus University in Rotterdam. He is the author of Denken in een tijd van sociale hypochondrie. Aanzet tot een theorie voorbij de maatschappij (Thinking in an Era of Social Hypochondria. Toward a Theory Beyond Society, 2007).
Foundland Collective (Ghalia Elsrakbi, SYR and Lauren Alexander, ZAR) is a design, research and art practice, based between Cairo, Egypt and Amsterdam, the Netherlands. Since its inception in 2009, the collective have focused on critical analysis of topics related to political and place branding, manifesting their speculations and ideas through visual and written manifestations, exhibitions and publications. See further: www.foundland.info.
Iratxe Jaio & Klaas van Gorkum are artists. They have worked together since 2001, producing performances, videos, publications and installations. Using documentation as their work methodology, they analyse and question social and political issues concerning the everyday. Their work is often said to be political, as it brings to the surface contradictions and conflicts that may exist between individual and collective experience. In 2010 they wrote a monthly article reflecting on the relationship between art and politics for Mugalari, the cultural supplement of the Basque newspaper Gara. A selection of these texts can be read online at www.postpolitikak.org.
Charles Esche is a curator and writer. He curated various exhibitions and biennials, including the 2nd Ramallah Biennial (2007) and the 9th Istanbul Biennial (2005) with Vasif Kortun and Esra Sarigedik Öktem. Together with Maria Hlavajova, he curated Once is Nothing at the first Brussels Biennial in 2008. He is co-editor of Afterall Journal and Books, based at Central St. Martins College of Art and Design in London. Since 2004 he has been Director of the Van Abbemuseum in Eindhoven.
Maria Hlavajova is artistic director of BAK, basis voor actuele kunst, Utrecht since 2000. In 2007 she curated the three-part project Citizens and Subjects for the Dutch Pavilion at the 52nd Venice Biennale. She has also edited and contributed to a variety of publications on art, theory and curatorial practice. Hlavajova lives and works in Amsterdam and Utrecht.
Franco (Bifo) Berardi is a writer and media activist. He founded the magazine A / traverso and worked for Radio Alice, the first free pirate radio station in Italy. He teaches at the Academy of Fine Arts in Milan and is cofounder of the e-zine rekombinant.org.
Jolle Demmers is an assistant professor and cofounder of the Centre for Conflict Studies at Utrecht University in the Netherlands. She lectures and writes on conflict theory, the role of diasporas in violent conflict, and neoliberalism.
Sameer S. Mehendale is a novelist based in Amsterdam. His publications include Heliosis (2002) and Zuid, Noord-Zuid, Noord (2006). His new book De Magistraat will come out in 2011.
Mark Fisher is the author of Capitalist Realism (Zer0, 2009) and the forthcoming Ghosts of my Life: Writings on Depression, Hauntology and Lost Futures (Zer0, 2013). He teaches at Goldsmiths, University of London, the University of East London and the City Literary Institute.
Jonas Staal is a visual artist whose work deals with the relation between art, propaganda, and democracy. He is the founder of the artistic and political organization New World Summit, which develops parliaments for stateless political organizations, and the New World Academy (together with BAK, basis voor actuele kunst, Utrecht), an educational platform for art and politics. His most recent publications include Nosso Lar, Brasília (Capacete & Jap Sam Books, 2014) on the relation between spiritism and modernism in Brazilian architecture. He currently finalizes his PhD research entitled To Make a World: Art as Emancipatory Propaganda at the PhDArts program at Leiden University.
Zihni Özdil is a junior lecturer and PhD candidate at Erasmus University’s School of History, Culture and Communication. He comments on social and economic issues as a panelist for Dutch radio show Dichtbij Nederland. Özdil is also a columnist for Erasmus Magazine. See further: www.zihniozdil.info.
Marianna Maruyama (1980, California) is an artist based in the Netherlands. Through writing, audio recording, drawing and play, she looks for ways that sound and movement facilitate an understanding of position. Orientation and voice, specifically loss of position as it relates to loss of voice are dominant themes in her practice. She studied at Oberlin College (USA) and the Dutch Art Institute and moved to the Netherlands from Japan. See further: www.mariannamaruyama.com.
Florian Cramer currently is director of Creating 010 at Hogeschool Rotterdam, an applied research centre for the creative industries in the Rotterdam region. He also serves as a board member of WORM, the Rotterdam-based Institute of Avantgardistic Recreation. He recently published Anti-Media Ephemera on Speculative Arts, nai010 publishers, Willem de Kooning Academie, and Institute of Network Cultures, 2013.
Sven Lütticken is a member of the editorial board of Open! Platform for Art, Culture & the Public Domain. He teaches art history at VU University Amsterdam; is the author of several books, including History in Motion: Time in the Age of the Moving Image (2013); and writes regularly for journals and magazines including New Left Review, Afterall, Grey Room, Mute and e-flux journal. At the moment he is working on a collection of a essays under the working title 'Permanent Cultural Revolution,' and editing a reader on art and autonomy. See further: www.svenlutticken.org.
Stephen Duncombe and Steve Lambert are the co-founders of the Center for Artistic Activism in New York. They began collaborating in 2007 out of a mutual interest in studying efficacy at the intersection of art and activism. They co-founded the Center for Artistic Activism around this research and a desire to share it with other like minded practitioners. Both experienced educators, they communicate a combined expertise across multiple disciplines. See further: artisticactivism.org.
Matteo Pasquinelli is a philosopher and Assistant Professor in Media Studies at Pratt Institute, New York. He wrote the book Animal Spirits: A Bestiary of the Commons (NAi,2008) and edited the anthology Alleys of Your Mind: Augmented Intelligence and Its Traumas (Meson, 2015) among others. With Wietske Maas he also wrote The Manifesto of Urban Cannibalism (2012). Website: www.matteopasquinelli.org
Steven ten Thije is a research curator affiliated with the Van Abbemuseum and the Universität Hildesheim. He was a coordinator of The Autonomy Project and co-organizer of The Autonomy Project Symposium (autonomyproject.tumblr.com). He co-curated Spirits of Internationalisms, part of the European collaborative project l’Internationale.
Jan Masschelein is Professor of Philosophy of Education at the Laboratory for Education and Society at the K.U. Leuven, Belgium.
Renée Ridgway is an artist, free-lance curator, writer and educator based in Amsterdam. Her current research merges artistic and curatorial practice with digital economies in regard to online remuneration along with investigating the conceptual as well as technological implications of ‘search’. She is a graduate of the Rhode Island School of Design (BFA) and Piet Zwart Institute (MA) and has exhibited widely in the Netherlands and internationally: Manifesta 8, P.S.1, MoMA, Hotel New York, Centraal Museum Utrecht, Museum De Lakenhal, Gouda Museum, Conflux Festival. Ridgway is co-initiator and contributor to n.e.w.s., a collective online platform for the analysis and development of art-related activities. Presently she curates and facilitates Welcome to Econotopia – Commons of the Contemporary, masters curriculum at the Dutch Art Institute (DAI) that addresses spaces of transgression, ranging from institutions of culture to contemporary hubs of spectacle to the internet. See further: reneeridgway.net.
Steyn Bergs is an art critic and a researcher. Currently, he is conducting his PhD research on the commodification of digital artworks at Vrije Universiteit Amsterdam. Together with Rosa te Velde, he is co-editor-in-chief of Kunstlicht.
Levien Nordeman is lecturer and researcher in the field of new media and culture. He currently teaches media theory at the Willem de Kooning Academy in Rotterdam and is affiliated with knowledge centre Creating 010 in the research program Communication in the Digital Age.
Mikkel Bolt Rasmussen teaches Cultural Studies at the University of Copenhagen. He is the co-editor of Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere (Nebula & Autonomedia, 2011), Totalitarian Art and Modernity (Aarhus University Press, 2010) and Aesthetics and Politics, a theme issue of Nordic Journal of Aesthetics (2013). His new book is titled Crisis to Upheaval (Minor Compositions, forthcoming 2015).
Roel Griffioen is a writer and researcher. He works at Casco – Office for Art, Design and Theory, is an editor for Kunstlicht, and is currently co-initiating The Front Line, a critical research project examining the role of the creative class in urban politics.
Marina Vishmidt completed her PhD, entitled Speculation as a Mode of Production in Art and Capital at Queen Mary, University of London in 2013. She is the co-editor of Uncorporate Identity (Lars Müller, 2010) and WINTER: Poetics and Politics (Mousse Publishing, 2013). She is currently writing a book with Kerstin Stakemeier on the politics of autonomy and reproduction in art (Hamburg: Textem, forthcoming). She has taught at Middlesex University, Goldsmiths, Central Saint Martins and Universität der Künste Berlin.
Marieke Borren teaches philosophy at various Dutch universities. Her expertise lies in the areas of political philosophy and philosophical anthropology. Her research focuses on political phenomenology, a perspective she developed in her dissertation, “Amor Mundi. Hannah Arendt's Political Phenomenology of World,” University of Amsterdam, 2010. She applied political phenomenology to contemporary cases, such as debates on national identity, irregular migrants, social movements and identity politics. She has published numerous academic and popular articles on political phenomenology and Arendt, most recently in Hypatia and International Journal of Philosophical Studies. Her present research further develops political phenomenology, by investigating the fundamental existential conditions of civic engagement (vu-nl.academia.edu).
Ann Demeester is director of Frans Hals Museum | De Hallen, Haarlem.
Carolien Gehrels has been an alderman for the Labor Party (PvdA) in Amsterdam from 2006 to May 2014. In her eight years as an alderman, she was responsible for, among others, economic affairs and art and culture. In 2009 she gave the well-known Boekman lecture Kunstbeleid in een postideologische? samenleving [Art policy in a post-ideological? society], in which she pleaded for a larger involvement of politics with the arts. At the time she stated this about art: "We may also govern in this area. We may also have an opinion. And we may even judge.” See further: www.pvdaamsterdam.nl.
Hans van Houwelingen studied at the Minerva Art Academy in Groningen and at the Rijksakademie van Beeldende Kunsten in Amsterdam. His work manifests itself internationally in the form of interventions in public space, exhibitions, lectures and publications, in which he investigates the relations between art, politics and ideology. He publishes regularly in newspapers and magazines. The monograph STIFF – Hans van Houwelingen vs. Public Art (2004) offers an overview of his projects and texts and an extensive reflection on his work. The publication Update (2008) describes the permanent update of the Lorentzmonument in Arnhem during the exhibition Sonsbeek 2008 and Undone (2011) presents nine critical reflections on three recent works. See further: www.hansvanhouwelingen.nl.
E. C. Feiss is a writer currently based at the Jan van Eyck Academie in Maastricht. Her work has also appeared in Afterall, Frieze, Texte zur Kunst and Variant, amongst others.
Salima Belhaj is a council member of Rotterdam since 2008 and since 2010 she is party leader of D66 (Democrats 66) in that city. As such she takes an active role in the debate on racism and the debate on culture. In 2011 she participated in the first edition of the project Allegories of Good and Bad Government in W139, Amsterdam. In 2014 she had a decisive role in the coalition debates that led to the formation of the local government of the city of Rotterdam consisting of members of the political parties D66, Leefbaar Rotterdam [Livable Rotterdam] and the Christen-Democratisch Appèl (CDA, Christian Democratic Appeal).
Maartje Remmers is a Dutch actress and member of the Flemish-Dutch theater collective Wunderbaum consisting of herself, Walter Bart, Wine Dierickx, Matijs Jansen, Maarten van Otterdijk and Marleen Scholte. In 2013 Wunderbaum initiated the four-year project The New Forest in which Wunderbaum explores together with civil society organizations alternative models of democracy through theater. See further: www.thenewforest.nl.
Mariko Peters was Member of Parliament for GroenLinks [Green Party] in the Netherlands from November 2006 until September 2012. Prior to this, she worked as an attorney, and, as a diplomat. She co-authored the first Freedom of Information Act in the Balkan countries and served as Advisor to the Afghan Minister of Foreign Affairs. As a Member of Parliament her dossiers included Foreign Affairs, Defence, Public Administration, Media Culture & Copyrights. She now serves again with the Dutch Ministry of Foreign Affairs.
Yoonis Osman Nuur is a We Are Here Academy student and part of the refugee council of the Here to Support Foundation. As a human rights activist and politician, Nuur fights for the visibility and recognition of refugees in limbo, in Dutch society and law. See further: www.wijzijnhier.org.
Ahmet Öğüt is a conceptual artist based in Amsterdam and Istanbul. Öğüt is the initiator of The Silent University, an autonomous knowledge-exchange platform led by refugees for refugees, asylum seekers and migrants. The Silent University aims to make apparent the systematic failure and the loss of knowledge and skills experienced through the silencing process of people seeking asylum. See further: www.thesilentuniversity.org.
Dirk Poot has been a spokesperson for the Dutch Pirate Party since 2012 and has as a candidate MP actively taken part in the Dutch parliamentary elections of 2010 and 2012 and the 2014 elections for European Parliament. The Pirate Party supports a free Internet as a condition for an open and democratic society, as a source of inspiration and knowledge, and above all as a source of critical information. See further: www.piratenpartij.nl.
Ron Meyer has led the largest party in Heerlen, the Socialist Party (SP), for the past eight years. Besides his work as a party leader, he works as a campaign leader for the labour union FNV Bondgenoten, where he has had a leading role in the cleaners’ protests since 2009. Brave cleaners who rise up for a better future are for him “the example of strength and progress.” In March 2014 Meyer received the Best Council Member Award in the Netherlands.
Matthijs de Bruijne’s artistic practice and research often arise in collaboration with trade unions and other labor organisations. De Bruijne was closely involved in the cleaners’ strike of 2012 for better wages, working conditions and social recognition. This strike was the longest strike in the Netherlands since 1933. As part of the cleaners union’s campaign De Bruijne installed a temporary Rubbish Museum in Utrecht’s central station and produced, in collaboration with the Domestic Workers Netherlands, several shadow plays.
Chris Evans (born 1967, Eastrington) lives and works in London. Forthcoming solo exhibitions include CLODS, Diplomatic Letters, The Gardens, Vilnius (2014); Clerk of Mind, Piper Keys, London (2014). Recent solo exhibitions include CLODS, Diplomatic Letters, Juliette Jongma, Amsterdam (2012); Goofy Audit, Luettgenmeijer, Berlin (2011); The Cell That Doesn’t Believe In The Mind That It’s Part Of, Marres, Maastricht (2010); I Don’t Know If I’ve Explained Myself, Mala Galerija, Ljubljana (2010); Take A Bureaucratic Bow, Objectif Exhibitions, Antwerp (2009). Significant group exhibitions include: A Needle Walks into a Haystack, Liverpool Biennial (2014), Radical Conservatism, Castlefield Gallery, Manchester (2013), Bourgeois Leftovers, De Appel (2013), Specific Collisions II, Marianne Boesky Uptown Gallery, New York (2013), The Narrators, Walker Art Gallery, Liverpool (2013). In 2012 a monograph on the artist was published by Sternberg Press in conjunction with his exhibitions at Marres and Objectif Exhibitions. Chris Evans is represented by Juliètte Jongma, Amsterdam and Lüttgenmeijer, Berlin.
Tirdad Zolghadr is a writer and curator. The working title of his third novel is Headbanger.
Stefaan Vervoort is a Research Organization Flanders (FWO) PhD candidate at the Department of Architecture and Urban Planning, Ghent University, with a research project entitled ‘Model as Sculpture’. His research focuses on the exchange between art and architecture in the postwar era, as well as on the material formation of modern and contemporary art museums. He is editor of Luc Deleu - T.O.P. office: Orban Space (with Wouter Davidts and Guy Châtel, Amsterdam: Valiz, 2012) and curator of the exhibition Orban Space: Luc Deleu - T.O.P. office (with Wouter Davidts, Stroom Den Haag, The Hague (2013) and Extra City/VAi, Antwerp (2013)). He writes for the art and architecture magazines Camera Austria, De Witte Raaf, Metropolis M, OASE, and San Rocco.
Anca Pusca is a Senior Lecturer in International Studies at Goldsmiths, University of London and author of Walter Benjamin: Aesthetics of Change (2010). Her work uses a Benjaminian framework to understand social change in post-communist Europe, focusing on issues of popular culture, architecture and vulnerable communities. You can contact her at: firstname.lastname@example.org.
Louis Moreno is a lecturer in the Department of Visual Cultures, Goldsmiths, researcher at the UCL Urban Laboratory, University College London and a member of the “Freethought” group convened by Irit Rogoff.
Annet Dekker is an independent researcher, curator and writer. She is interested in the influence of technology, science and popular culture on art and vice versa. Currently she is core tutor at Piet Zwart Institute, Rotterdam. In 2009 she initiated aaaan.net with Annette Wolfsberger; they coordinate artists-in-residences and set up strategic and sustainable collaborations with (inter)national arts organisations. Previously she worked as web curator for SKOR (2010–2012), was programme manager at Virtueel Platform (2008–2010), head of exhibitions, education and artists-in-residence at the Netherlands Media Art Institute (1999–2008), and editor of several publications on digital art and issues of preservation. In 2008 she began a Ph.D. research at the Centre for Cultural Studies, Goldsmiths University in London, titled Enabling the Future, or How to Survive FOREVER. A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation.
Lauren Alexander (1983, Cape Town, ZA) holds an MDes from the Sandberg Instituut, Amsterdam (2008) and an MFA from the Dutch Art Institute, Arnhem (2011). In 2009, she initiated Foundland Collective, together with Ghalia Elsrakbi, a design, research and art practice, based between Cairo and Amsterdam. The collective’s work draws on graphic design, art, writing and research in order to develop critical and imaginative reflections on political and social issues, particularly related to the Middle East. See further: www.foundland.info.
Niels Schrader (1977, Caracas, VE) is a concept-driven information designer with a fascination for numbers and data. He is founder of the Amsterdam-based design studio Mind Design and member of the AGI – Alliance Graphique Internationale. Next to his design practice Schrader has been lecturing at the Delft University of Technology, ArtEZ – Academy of Art & Design in Arnhem and Willem de Kooning Academie in Rotterdam. Since January 2013 he is together with Roosje Klap head of the Graphic Design department at the Royal Academy of Art in The Hague. In his work, Schrader plays the role of both a mediator and a designer. He considers communication to be an interactive process that requires participation through questioning. See further: www.minddesign.info.
Brigitte van der Sande is an art historian, independent curator and advisor in the Netherlands. In the nineties Van der Sande started a continuing research into the representation of war in art, resulting in exhibitions like Soft Target. War as a Daily, First-Hand Reality in 2005 as BAK, basis voor actuele kunst in Utrecht and War Zone Amsterdam (2007–2009), as well as many lectures, workshops and essays on the subject within the Netherlands and abroad. In 2013–2014 she curated See You in The Hague at Stroom Den Haag, and co-curated The Last Image, an online archive on the role of informal media on the public image of death for Funeral Museum Tot Zover in Amsterdam. Van der Sande is currently working on a concept for a festival of non-western science fiction, that will take place in 2016.
Janine Armin is a freelance writer and editor based in Amsterdam. Her writing on art, literature and music appears in various publications, and is forthcoming in Thought (Archive Books, 2014) and Social Life of the Record (castillo / corrales, 2014). She is editor for Casco – Office for Art, Design and Theory and book review editor for Open!.
Tom Holert is a Berlin-based writer. In 2015, he co-founded the Harun Farocki Institut in Berlin. Holert also conceptualized the exhibition Learning Laboratories, on view at BAK, basis voor actuele kunst in Utrecht, from 2 December 2016 to 5 February 2017.
Camiel van Winkel writes on contemporary art and occasionally curates exhibitions. Based in Amsterdam, he teaches art theory and art philosophy at LUCA School of Arts / Sint-Lukas Brussels. He is advisor at the Rijksakademie, Amsterdam. He is the author of Moderne leegte. Over kunst en openbaarheid (1999), The Regime of Visibility (2005) and The Myth of Artisthood (2007 / 2013). His latest book, based on his PhD dissertation, is During the Exhibition the Gallery Will Be Closed. Contemporary Art and the Paradoxes of Conceptualism (Valiz, 2012).
Maaike Lauwaert writes on contemporary art for various magazines and blogs and works as a visual arts curator at Stroom Den Haag, an independent centre for art and architecture in the Netherlands. Before starting at Stroom, she worked at the Mondriaan Foundation and completed a PhD in the cultural sciences at the University of Maastricht. Her work has been published in Metropolis M, Kaleidoscope, Modern Painters, Art Agenda, among others.
Vesna Madzoski is an independent theorist and researcher based in Amsterdam. She has a PhD from the European Graduate School, Saas-Fee, Switzerland. Her PhD research, entitledDE CVRATORIBVS. The Dialectics of Care and Confinem ent, focused on the history of curating, the transformations of this practice in the past fifty years and its relationship with political and economic systems. She has been one of the editors of Prelom, a Belgrade-based journal for art and theory, and since 2006 is a member of the artists’ collective Public Space With A Roof in Amsterdam. More info: madzoski.synthasite.com.
Florian Göttke is a visual artist based in Amsterdam. Since 2006 he is teaching at the Dutch Art Institute (DAI), Arnhem, about topics related to art and public issues. In his recent works he investigates the functioning of public images, and their relationship to social memory and politics. His lecture and book Toppled (Post Edition, Rotterdam, 2010), about the fallen statues of Saddam Hussein, is a critical study of image practices of appropriation and manipulation in our contemporary media society. Toppled was nominated for the Dutch Doc Award for documentary photography in 2011. Currently he is working on his PhD in Artistic Research “Burning Images – Genealogy of a Hybrid and Global Cultural and Political Practice” at the University of Amsterdam and the Dutch Art Institute, about the practice of hanging and burning effigies in political protests. See further: www.floriangoettke.com.
Geert Lovink is a media theorist, Internet critic and author of Social Media Abyss (2016), Networks Without a Cause (2012), Zero Comments (2007) and Dark Fiber (2002). Since 2004 he is researcher in the Faculty of Digital Media and Creative Industries at the Amsterdam University of Applied Sciences where he is the founder of the Institute of Network Cultures. His centre recently organized conferences, publications and research networks such as Video Vortex (the politics and aesthetics of online video), Unlike Us (alternatives in social media), Critical Point of View (Wikipedia), Society of the Query (the culture of search), MoneyLab (Internet-based revenue models in the arts) and a project on the future of art criticism. From 2004–2013 he was also associate professor in Media Studies (new media), University of Amsterdam. Since 2009 he is professor at the European Graduate School (Saas-Fee / Malta) where he supervises PhD students.
Joost de Bloois is an assistant professor at the University of Amsterdam, department of Comparative Literature and Cultural Analysis. He has published extensively on the nexus between culture and the political. For an overview of his publications see: www.uva.nl.
Christoph Brunner is a media theorist and philosopher working at Zurich University of the Arts. He is part of the SenseLab in Montreal, the editorial collective of Inflexions – A Journal for Research-Creation, and co-applicant for the SSHRC-partnership grant Immediations: Art, Media, Event. He recently finished his PhD dissertation on “Ecologies of Relation – Collectivity in Art and Media.” Some publications: “Post-Media, Activism, Social Ecology, and Eco-Art,” Third Text 120 (2013) with Roberto Nigro, Gerald Raunig; “Immediation as Practice and Process of Signaletic Mattering,” Journal of Aesthetics and Culture 4 (Mai 2012). More: molecularbecoming.com.
Gerald Raunig is a philosopher. He works at the Zürcher Hochschule der Künste and at the eipcp (European Institute for Progressive Cultural Policies); he is a member of the editorial boards of the multilingual webjournal transversal and the journal Kamion. His books have been translated into English, Serbian, Spanish, Slovenian, Russian, Italian, and Turkish. Recent books: A Thousand Machines, New York / Los Angeles: Semiotext(e) / MIT Press 2010; Factories of Knowledge, Industries of Creativity, New York / Los Angeles: Semiotext(e) / MIT Press 2013. Upcoming: DIVIDUUM. Machinic Capitalism and Molecular Revolution, Vol. 1.
Bik Van der Pol work collectively since 1995. They live and work in Rotterdam (the Netherlands). Bik Van der Pol explore the potential of art to produce and transmit knowledge. Their working method is based on co-operation and research methods activating situations to create platforms for various kinds of communicative activities. Their work has been shown in, amongst others, Stedelijk Museum Amsterdam, Van Abbemuseum in Eindhoven, the Biennials of Lyon and Istanbul, and MoMa, PS1 and Creative Time in New York. They produced projects for public space in, for example, Beyond Leidsche Rijn in Utrecht and the Maasvlakte 2 in Rotterdam. Currently, they are course directors of the Master programme School of Missing Studies, at Sandberg Instituut, Amsterdam. For more information on their projects and publications see: www.bikvanderpol.net.
Isabell Lorey, European Institute for Progressive Cultural Policies (eipcp), is based in Berlin, and an editor of transversal texts. At several European universities she teaches as a professor classes in political theory, feminist theory and postcolonial studies. International publications on precarization of labor and life in neoliberalism, social movements (a.o. Euromayday-movement and the democracy-movements since 2011), critical theory of democracy and representation, biopolitical governmentality, and political immunization. Recent publication: State of Insecurity. Government of the Precarious, London / New York: Verso 2015. See further: transversal.at.
Jan Verwoert is a critic and writer on contemporary art and cultural theory. He is a contributing editor of Frieze and his writing has appeared in different journals, anthologies and monographs. He is the author of the essay collection Cookie! (Sternberg Press / Piet Zwart Institute, 2014), Animal Spirits –Fables in the Parlance of Our Time (together with Michael Stevenson) (Christoph Keller Editions, JRP-Ringier, 2013), the essay collection Tell Me What You Want What You Really Really Want (Sternberg Press / Piet Zwart Institute, 2010) and Bas Jan Ader: In Search of the Miraculous (MIT Press / Afterall Books, 2006). He teaches at the Oslo National Academy of the Arts, the Piet Zwart Institute and the de Appel Curatorial Programme.
Miriam Rasch has a background in literary studies and philosophy and works at the Institute of Network Cultures in Amsterdam. She writes book reviews and guest posts for various websites and magazines; her personal blog can be found at www.miriamrasch.nl.
Miguel Robles-Durán, urbanist, is co-founder of ‘Cohabitation Strategies’, a cooperative for sociospatial development based in New York and Rotterdam. He directs the Urban Ecologies Graduate Program at the New School / Parsons in New York.
Oliver Marchart (Aus) teaches in the Sociology department at the University of Lucerne. His recent books include Post-foundational Political Thought: Political Difference in Nancy, Lefort, Badiou and Laclau (2007), Neu beginnen. Hannah Arendt, die Revolution und die Globalisierung (2005). Ästhetik des Öffentlichen. Eine politische Theorie künstlerischer Praxis (2008) is due to be published shortly.
Richard Grusin (USA) is a professor and chair of the English Department at Wayne State University. His books include Remediation: Understanding New Media (1999) with Jay David Bolter. He is currently working on the book Premediation: Affect, Mediality in America after 9 / 11 (working title).
Albert Benschop was a lecturer and researcher at the Universiteit van Amsterdam for many years. He is the founder of the world’s most consulted social-science information system, SocioSite, and founding father of net sociology in the Netherlands.
David Garcia (GB) is a writer, artist and professor of Design for Digital Culture at the University of Portsmouth and the Utrecht School of the Arts. He makes installations, videos and television programmes and writes about new media and internet culture. He was one of the people behind The Next 5 Minutes (1994–2003), a series of international conferences and exhibition on electronic communications and new social movements. He is currently involved in (Un)common Ground, a series of events and publications on this topic.
Henry Jenkins (USA) is the Director of the MIT Comparative Media Studies Program. His newest books include Convergence Culture: Where Old and New Media Collide and Fans, Bloggers and Gamers: Exploring Participatory Culture.See further: www.henryjenkins.org.
Geert van de Wetering (NL) is a journalist and programme maker. He worked for six years for VPRO Television, where he was the creator and producer of such programmes as Nachtpodium and Picabia. He has also written for the De Volkskrant newsaper and many magazines. He currently works as a freelance journalist and director.
Dingeman Kuilman (the Netherlands) is director of Premsela Dutch Platform for Design and Fashion, based in Amsterdam.
Irene Costera Meijer (NL) is a senior lecturer in television and popular culture in the Media & Culture department at the Universiteit van Amsterdam. She has written a large number of articles on the quality of television. Her book De toekomst van het nieuws was published in 2006. As a researcher she frequently holds workshops for journalists and programme makers working for broadcast organizations and daily newspapers.
Maarten Reesink (NL) has been affiliated since 1993 with the Media & Culture (formerly Film and Television Studies) Chair Group at the Universiteit van Amsterdam, where he was involved in the development of the television studies specialization. His own specializations are reality television and infotainment.
Arie Altena writes about art, technology and new media. He is an editor / researcher at the V2_Archief in Rotterdam, teaches Interactive Media and Environments at the Frank Mohr Institute and is a co-organizer of Sonic Acts. In 2006 he conducted research at the Jan van Eyck Academie. His blog research project, In the Loop, is part of the Ubiscribe project, for which he also edited the POD book Pervasive Personal Participatory, Ubiscribe 0.9.0 (2006).
Omar Muñoz Cremers is a cultural sociologist and writer. His essays have previously been published in Mediamatic, De Gids, Multitudes and Metropolis M. His first novel is entitled Droomstof (2007). He lives and works in Amsterdam.
René Boomkens is a professor of social and cultural philosophy at the University of Groningen (RUG). His books include Een Drempelwereld. Moderne ervaring en stedelijke openbaarheid (1998) and De nieuwe wanorde. Globalisering en het einde van de maakbare samenleving (2006).
Gijs van Oenen teaches in the Department of Philosophy of Erasmus University Rotterdam, where he directs a research programme on ‘Interactive Metal Fatigue’. He publishes widely on citizenship, the rule of law, illegality, safety and security, public space and democracy.
Wouter Vanstiphout is a partner in Crimson Architectural Historians. Since its inception in 1994 Crimson has curated exhibitions, published books, done research projects, developed urbanism strategies and has realized concrete projects such as the WiMBY! project for the restructuring of the post-war New Town of Rotterdam Hoogvliet. Right now Crimson is developing the international research project ‘The New Town’. Under his own name Wouter Vanstiphout published his dissertation, Maak een Stad, Rotterdam en de architectuur van J.H. van den Broek, in 2005.
Giorgio Agamben is an Italian philosopher. His many publications include Homo Sacer: Sovereign Power and Bare Life, Remnants of Auschwitz: The Witness and the Archive (Zone Books), The Coming Community, and State of Exception.
Patrick Van Calster studied philosophy at the Vrije Universiteit in Brussels and criminology at Ghent University. He is currently Senior Lecturer in the Department of Criminal Law and Criminology at Leiden University.
Ilse van Rijn is a critic and art historian. She is working on her doctoral research, studying ‘autonomously produced artists’ writings: their operative force, status and role,’ collaboratively supported by the Gerrit Rietveld Academy, the Jan van Eyck Academy and the University of Amsterdam / ASCA. She was previously a researcher and adviser at the Jan van Eyck Academy. Currently, she teaches in the Rietveld department of ‘image & language.’
Özkan Gölpinar works as cultural diversity programme manager for the Netherlands Foundation for Visual Arts, Design and Architecture. He has previously worked as a reporter for the newspapers de Volkskrant and Trouw.
Dennis Kaspori is an architect and the founder of The Maze Corporation. He concentrates on the development of an engaged practice that searches for new models of inclusive urban design.
Thijs Vissia lives and works in Amsterdam as a freelance editor, illustrator and photographer. He studied political science at the University of Amsterdam.
BAVO is an independent research firm focusing on the political dimension of art, architecture and planning. BAVO is a partnership between Gideon Boie and Matthias Pauwels; both studied architecture and philosophy. Recent publications include Cultural Activism Today: The Art of Over-Identification (2007) and Urban Politics Now: Re-Imagining Democracy in the Neoliberal City (2007). See www.bavo.biz.
Nina Möntmann is a professor and head of the department of Art Theory and the History of Ideas at the Royal University College of Fine Arts in Stockholm. From 2003 to 2006 she was a curator at the Nordic Institute for Contemporary Art (NIFCA) in Helsinki. Currently she is a curatorial advisor for Manifesta 7 (2008). Recent publications include Nina Möntmann (ed.), Art and its Institutions (2006).
Sjoerd van Tuinen is a philosopher at Ghent University, where he is finishing a dissertation on the Leibniz reception in the work of Gilles Deleuze. He studied sociology and philosophy in Rotterdam. In 2004, Klement published his introduction to the work of Peter Sloterdijk, entitled Sloterdijk – Binnenstebuiten denken.
16Beaver is the address of a space in NYC initiated / run by artists since 1999. Since that time, it has served as place where those involved in art, politics, education, as well as a multiplicity of other contexts and fields of activity could discover and develop a common place to share research, questions, understandings, concerns, and struggles. Thus, it has been an open place to share, present, produce, and discuss a variety of artistic / cultural / economic / political projects. It has also been a site where discussions can lead to actions and action can be discussed and rethought. See further: www.16beavergroup.org.
Florian Waldvogel was artistic director of Kokerei Zollverein / Zeitgenössische Kunst und Kritik, Essen, from 2001 to 2003 and has been curator at Witte de With, Center for Contemporary Arts in Rotterdam since 2006.
Max Bruinsma is a freelance design and art critic, curator and editorial designer. He is the former editor of Items design magazine and of Eye, The International Review of Graphic Design in London. Bruinsma has lectured on contemporary visual culture, graphic and media design throughout the world. In 2005, he received the Pierre Bayle Prize for Design Criticism.
Frederik Le Roy is a philosopher (K.U. Leuven, Ghent University) and theatre scientist (Ghent University) and has been affiliated with the department of Art, Music and Theatre Sciences at Ghent University since 2005. He is working on a PhD on contemporary theatre as a technology of memory.
Kathleen Vandeputte has a degree in philosophy and has been a doctoral assistant at Ghent University, where she is working on her doctoral thesis, Een politiek-filosofische analyse van differentie en sensus communis aestheticus, since 2005. She has written articles about the sensus communis, Arendt, Lyotard, Rancière and Nancy.
Eva Fotiadi is Lecturer in Contemporary Art and Theory at the University of Amsterdam and the Gerrit Rietveld Academy of Arts. In 2011, her book The Game of Participation in Art and the Public Sphere was published.
Wouter Davidts is a postdoctoral researcher at the Department of Architecture and Urban Planning of Ghent University. He is the author of Bouwen voor de kunst? Museumarchitectuur van Centre Pompidou tot Tate Modern (2006) and in 2007 he curated the show Beginners & Begetters at Extra City, Center for Contemporary Art, Antwerp.
Nicolas Bourriaud is a writer and curator and is currently Gulbenkian Curator for Contemporary Art at the Tate Britain, London. In 2009, he curated two exhibitions: ‘Altermodern’, Tate Triennial, London, and ‘Estratos’ in Murcia. He wrote Relational Aesthetics (1998), Postproduction (2002) and The Radicant, recently published in English (Sternberg Press) and German (Merve Verlag).
Brett Neilson is Associate Professor of Cultural and Social Analysis at the University of Western Sydney, where he also teaches at the Centre for Cultural Research. In addition to academic publications, he has also written for DeriveApprodi, Vacarme, Subtropen, Conflitti globali, makeworlds, Overland, Carta and Framework. He regularly writes pieces for the Italian newspaper Il Manifesto and is the author of Free Trade in the Bermuda Triangle ... and Other Tales of Counterglobalization (2004).
Ned Rossiter is Associate Professor of Network Cultures, Division of International Communications, at the University of Nottingham in Ningbo, China. He is also Adjunct Senior Research Fellow at the Centre for Cultural Research of the University of Western Sydney. He is the author of Organized Networks: Media Theory, Creative Labour, New Institutions (NAi Publishers, 2006; Manifestolibri, 2009). Together with Geert Lovink, he recently edited MyCreativity Reader: A Critique of Creative Industries (Institute of Network Cultures, 2007). See further: www.orgnets.net.
Sonja Lavaert is professor of philosophy at the Vrije Universiteit Brussel. She has published on early modern philosophy (Machiavelli, Spinoza), radical contemporary philosophy (Agamben, Negri, Virno), critical theory, Italian studies and philosophy of art. She is the author of Het perspectief van de multitude (2011) and she co-edited The Dutch Legacy. Radical Thinkers of the 17th Century and the Enlightenment (2017) and Aufklärungs-Kritik und Aufklärungs-Mythen. Horkheimer und Adorno in philosophiehistorischer Perspektive (2018). Her research focuses on the philosophical representations of history, and on the genealogy of political and ethical concepts in the interdisciplinary area of philosophy, language, literature, and translation.
Santiago Cirugeda founded the architecture firm Recetas Urbanas in 1995. See further: www.recetasurbanas.net.
Alex de Jong (the Netherlands) is an architect. He works for the Office for Metropolitan Architecture (OMA). He conducts research into the effects of urban processes together with Marc Schuilenburg under the name ‘Studio Popcorn’. A full version of this article will be included in their book Mediapolis, set to be published by 010 Publishers in 2006 (see www.studiopopcorn.com).
Caroline Bassett (UK) is Senior Lecturer in Digital Media at the University of Sussex (UK). She writes widely on digital technology and its influence on our culture. Her book The Arc and the Machine is being published by Manchester University Press in spring 2006.
Siebe Thissen (the Netherlands) is a historian, philosopher and music-lover. He is Head of Art & Public Space for the Centre for the Visual Arts (CBK) in Rotterdam, the Netherlands.
Jonathan Sterne (Canada) teaches at the Department of Art History and Communication Studies at McGill University in Montreal, Canada. He was the author of The Audible Past: Cultural Origins of Sound Reproduction (Durham, North Carolina: Duke University Press, 2002), and also helps to produce Bad Subjects: Political Education for Everyday Life (badsubjects.org), one of the longest continuously running publications on the Internet. His next book is about MP3 as a sonic format.
Dirk van Weelden (the Netherlands) is a writer.
Ulrich Loock (Switzerland) was director of the Kunsthalle Bern and Kunstmuseum Luzern in Switzerland. Since 2003 he has been the Deputy Director of Museu Serralves in Porto, Portugal, where he has curated exhibitions of work by Raoul de Keyser, Robert Grosvenor, Moshe Kupferman, Thomas Schütte, Herbert Brandl, Adrian Schiess, Helmut Dorner and others. His most recent publication was Thomas Schütte (Cologne: Friedrich Christian Flick Collection and DuMont Verlag, 2004).
Mark Bain (USA) is a visual artist who lives in Amsterdam. His field of interest is the relationship between sound and architecture. One of his areas of research is the psychological effect of sound. He has had exhibitions at Rotterdam’s Boijmans van Beuningen Museum in 2004, the Platform Gallery in Istanbul in 2004, and the MACBA in Barcelona in 2003. See further: www.simulux.com.
Ole Frahm (Germany) is a member of LIGNA, a German artists’ collective.
Huib Haye van der Werf (the Netherlands) is an art historian, curator and adviser on the visual arts (for the Atelier Rijksbouwmeester – the Chief Government Architect’s Atelier – and others).
Amy Plant (UK) is a London-based artist with a community-oriented practice. She has produced self-initiated projects and commissions for galleries and in public space in the UK and abroad. Her works include Contact (Camden Arts Centre, London, 2000); Multi Stop Shop (Arc Percent for Art Scheme, Ireland, 2003) and Laburnum Pilot (The Drawing Room Gallery, Edinburgh, 2004) together with Ella Gibbs.
Mariska van den Berg is an art historian, and until 2010 worked as a curator at SKOR | Foundation Art and Public Space. Lately, she has been investigating forms of appropriation in public space, under the title ‘Reclaim: toe-eigening en publiek domein’, for which she received a research grant from the Netherlands Foundation for the Visual Arts, Design and Architecture (Fonds BKVB).
Maarten Delbeke (Belgium) is a fellow at the Department of Architecture and Urban Planning, Ghent University.
Paul Groot (the Netherlands) is editor of the periodical Mediamatic and a filmmaker. His most recent project was the film Daisukes Tokyo-ga.
Wieteke van Zeil (the Netherlands) is an art historian and journalist.
Jennifer Allen (Canada) is a writer and art critic based in Berlin.
Saskia Sassen (United States) is professor of sociology at the University of Chicago. Her most recent book is Territory, Authority, Rights: From Medieval to Global Assemblages (Princeton, 2006).
Howard Rheingold (United States) is a specialist in the field of digital media. His books include Smart Mobs. The Next Social Revolution (2002). He teaches at the School of Information in Berkeley, San Francisco. www.rheingold.com and www.smartmobs.com
Assia Kraan (the Netherlands) is a media theorist. Her graduate thesis was on ‘locative media art and urban conceptualisation of city dwellers’. See further: www.assia.nl.
Klaas Kuitenbrouwer (the Netherlands) devises and organizes workshops for Mediamatic in Amsterdam on crossovers between technology and culture. He researches, writes and provides advice about interactive media practices.
Koen Brams (Belgium) was director of the Jan van Eyck Academy, Maastricht (2000-2010). He compiled De Encyclopedie van Fictieve Kunstenaars (Nijgh & van Ditmar, 2000) and since 2002 has been writing, together with Dirk Pültau, an ‘alternative history’ of art in Belgium since the 1970s.
Dirk Pültau (Belgium) is an art historian and chief editor of De Witte Raaf. Together with Koen Brams he is writing an alternative history of art in Belgium since the 1970s.
Noortje Marres is associated with the Department of Sociology of Goldsmiths, University of London. Her first book, Material Participation (2012), has just been published. Marres was an editor of the literary journal De Gids up to 2010.
Elizabeth Sikiardi (the Netherlands) lectures on the design and development of the urban landscape at the University of Duisburg-Essen. Together with Frans Vogelaar she runs invOFFICE for architecture, urbanism and development in Amsterdam.
Frans Vogelaar (the Netherlands) is professor of Hybrid Space at the Academy of Media Arts in Cologne. Together with Elizabeth Sikiardi he runs invOFFICE for architecture, urbanism and development in Amsterdam.
Marion Hamm (UK) studied cultural studies and history in Tübingen and Birmingham. She works as an ethnographer at Luzern University and is interested in the social uses of communication technologies. She is a committed participant in Indymedia UK.
Daniel van der Velden (the Netherlands) is a designer and coordinator of research at the Jan van Eyck Academy, Maastricht, where he heads the Logo Parc project.
Kristina Andersen (the Netherlands) is a maker of odd objects and experiences, based at STEIM in Amsterdam. She works with materials and protocols through iterative processes and play, often working with children as her main users and collaborators. She teaches at DasArts and the Piet Zwart Institute.
Joanna Berzowska (Canada) is an Assistant Professor of Design and Computation Arts at Concordia University in Montreal. She works with ‘soft computation’: electronic textiles, responsive clothing as wearable technology, reactive materials and squishy interfaces. She is founder of XS Labs in Montreal, where her team develops electronic and reactive textile.
Dieter Lesage (Belgium) is a philosopher and lecturer at the Department of Audiovisual and Performing Arts (RITS) of the Erasmushogeschool in Brussels. His most recent book is Vertoog over verzet. Politiek in tijden van globalisering [Discourse on Resistance. Politics in Times of Globalisation] (Amsterdam-Antwerp: Meulenhoff-Manteau, 2004).
Peter Sloterdijk is a German philosopher and cultural theorist. He is a professor of philosophy and media theory at the University of Art and Design Karlsruhe.
Jeroen Boomgaard is Chair of the Lectorate Art and Public Space at the Gerrit Rietveld Academy in Amsterdam. He also heads up the Master Artistic Research at the University of Amsterdam. In 2011, he published Wild Park – Commissioning the Unexpected.
Roemer van Toorn is head of Projective Theory at the Berlage Institute, PhD candidate (Berlage Chair) and research assistant at the DSD Delft University of Technology.
The Buggers are a collective that makes itself known via occasional pamphlets in which it sets out to reposition the revolutionary thought of the twentieth-century avant-garde and counterculture.
Tom McCarthy is an artist and writer based in Londen. Tom McCarthy’s novel Remainder, which deals with trauma and repetition, won the Believer Book Award 2007 and is currently being adapted for cinema. His new novel, C, which is about the relationship between technology and mourning, will be published in 2010.
Joke Hermes lectures in Public Opinion Formation at the InHolland University. Her research focuses on citizenship, media and popular culture. A recent work is Rereading Popular Culture (Blackwell, 2005).
Lex ter Braak was directing Fonds BKVB from 2000–2011. In 2011 he became the director of Jan van Eyck Academie in Maastricht.
Sophie Berrebi is an art historian and curator and lecturer in the History and Theory of Photography at the University of Amsterdam. Her current research considers the issue of the document in contemporary art.
Ole Bouman is an architecture historian, editor, curator, teacher and lecturer.
Sher Doruff is as a transdisciplinary artist, writer and theorist. She supervises 3rd cycle / PhD artist researchers at the Gerrit Rietveld Academy of Art and Design and the DAS Graduate School and DAS Choreography in Amsterdam. She is a member of several editorial boards including the Journal of Artistic Research.
Peter-Paul Verbeek is Professor of Philosophy of Technology at the University of Twente. His work concentrates on the relation between human beings and technology, and its ethical aspects.
Lieven De Cauter is a philosopher, art historian, writer, and activist. He teaches philosophy of culture in Leuven, Brussels, and Rotterdam. He has published several books on contemporary art, experience and modernity, on Walter Benjamin and more recently on architecture, the city, and politics. His latest books include The Capsular Civilization. On the City in the Age of Fear; Heterotopia and the city. Public space in a postcivil society, co-edited with Michiel Dehaene; and Art and Activism in the Age of Gloablization, co-edited with Karel van Haesebrouck and Ruben De Roo. He was initiator of the Brussels Tribunal on the war in Iraq and is co-founder of the Platform for Liberty of Expression, which project fights the abuse of antiterrorism to crack down on activism. He was guest curator of Hidden Cities, with Michiel Dehaene, in Visionary Power of the Rotterdam Architectural Biennale and of Decolonizing Architecture. Scenarios for the transformation of Israeli settlements, with Sandi Hilal, Alessandro Petti and Eyal Weisman, at Bozar in Brussels (2008).
Anthony Iles is a writer and editor based in London. He has worked for Mute (metamute.org) and together with Mattin coedited Noise & Capitalism (2009). See: www.arteleku.net. With Josephine Berry Slater, he wrote ‘No Room to Move: Radical Art and the Regenerate City’ (in Mute, October 2010).
Sebastian Olma studied political science, sociology and philosophy in Leipzig, New York and London. He holds a PhD from the Centre for Cultural Studies, Goldsmiths College. He has published on Vitalism, Autonomist Marxism, and questions of social temporality and creativity. Living in Amsterdam, he works as a consultant / researcher. For more information contact: email@example.com.
Ernst van den Hemel is a doctoral student in the history of christianity and teaches literary theory at the University of Amsterdam. He is the author of Calvinisme en politiek. Tussen verzet en berusting (2009). He additionally is involved with the squatted gallery ‘Schijnheilig’ in Amsterdam. www.schijnheilig.org
Hans Boutellier is Professor in Safety and Citizenship at VU University in Amsterdam and executive director of the Verwey-Jonker Institute in Utrecht; board member of Kei, expert centre for urban regeneration; member of the board of trustees of the Wiardi Beckman Foundation; board member of the Association of Policy Research and member of the editorial committee of the European Journal of Criminology.
Jouke Kleerebezem is a visual artist, author and researche and teachter. See further: www.nqpaofu.com.
Heath Bunting is a computer artist and co-founder of net.art. He is banned for life from the USA because of his anti-genetic work. Currently he is producing an expert system for identity mutation.
Nico Bick studied photography at the Royal Academy of Art in the Hague. As a visual artist he investigates the use of (public) space. Characteristic of his early work is a preference for inconspicuous places that appear to be so familiar that nobody seems to notice them anymore. Nowadays he directs his view at spaces with a tangible tension between the public and the private domain. In a time in which everybody can produce digital photos easily, Bick feels a strong need for an uncompromising analogue approach. With patience and careful observation he creates, together with a large format camera, series’ of highly detailed images to focus the attention on both the space – in the absence of its users – and the meaning of the places he photographs.
Andreas Siekmann (1961) is an artist, curator and theorist who lives and works in Berlin.
John Byrne is currently programme leader in Fine Art at the Liverpool School of Art and Design (John Moores University). He is also co-director of Static, an organization for creative production in Liverpool (statictrading.com). Byrne has published regularly on the relationships between contemporary art, media and popular culture.
Johan Frederik Hartle teaches philosophy of art and culture at the University of Amsterdam (UvA). His research deals with institutional theories of art, the aesthetico-political and the heritage of Marxism. He is currently working on a book about the beauty of leftist politics.
Hito Steyerl works as a filmmaker and author in the area of essayist documentary films and videos, media art and video installations. Her works are located on the interface between cinema and fine arts, and between theory and practice. They centre on the question of media within globalization and the migration of sounds and images.
Roberto Nigro works at the Institute for Critical Theory of the Zurich University of the Arts (ZHDK) and is Program Director at the Collège international de Philosophie in Paris. Prior to that, he taught at various universities in Italy, France, Germany and the USA. His research mainly focuses on poststructuralist theories.
Andrea Fraser is a performance artist. Her recent work includes an essay for the Whitney Biennial 2012 and the performance Men on the Line: Men Committed to Feminism, KPFA, 1972. She is a Professor of Art at the University of California, Los Angeles.
Peter Osborne is director of the Centre for Research in Modern European Philosophy (CRMEP), Kingston University London, and an editor of the UK journal Radical Philosophy. His new book, Anywhere or Not at All: Philosophy of Contemporary Art, will be published by Verso in early 2013.
Leonore Bonaccini and Xavier Fourt (France) have been working together as Bureau d‘Études since 2000.
Wolfgang Ernst is a professor of media theory at the Humboldt-Universität in Berlin.
Jacques Rancière is a French philosopher. He has written various books, including Dissensus: On Politics and Aesthetics (2010).
Thomas Hirschhorn is an artist from Switzerland.
Stoffel Debuysere is active in the field of media culture and media art as a curator, researcher and teacher. He has worked for various cultural organizations and institutions, including Argos, BAM, Impakt and Courtisane. As of 2012, he heads up the research project ‘Figures of Dissent: Cinema of Politics, Politics of Cinema’, within the auspices of the KASK / School of Arts (Ghent).
Pieter Lemmens studied biology and philosophy in Nijmegen and obtained his doctorate in 2008 with a thesis on the close relation between human beings and technology. At present, he does postgraduate research at Wageningen University and teaches philosophy at Radboud University in Nijmegen.
Peter Peters is Chair of the Lectorate Autonomy and Publicness in the Arts at the Zuyd University of Applied Arts and a university lecturer at the Faculty of Arts and Social Sciences at Maastricht University.
Ruth Benschop is a senior researcher in the Lectorate Autonomy and Publicness in the Arts at the Zuyd University of Applied Sciences, where she investigates the relation between ethnography, styles of documentation and art, and undertakes artistic research.
Fiona Candlin is Senior Lecturer in Museum Studies at Birkbeck, University of London. She is the author of Art, Museums and Touch, co-editor of The Object Reader, and is working on a new book entitled Micromuseology
Lonneke van der Velden is a PhD student at the Amsterdam School for Cultural Analysis (ASCA) and teaches in the Department of Media Studies (University of Amsterdam). Her research focuses on Internet surveillance and activism.
Ed van Hinte is a freelance publicist, curator and teacher in the field of design. He additionally is the initiator of Lightness Studios (lightweight constructions) and DRS22 (design research) in The Hague.
Hans Aarsman is a photographer and writer based in Amsterdam.
Bernard Stiegler is a French philosopher and publicist who is particularly interested in questions on the philosophy of technology. He is Director of the Department of Cultural Development at the Centre Georges-Pompidou in Paris and professor at the Université de Technologie de Compiègne. Recent publication: Ce qui fait que la vie vaut la peine d’être vécue: de la pharmacologie (2010).
Jordan Crandall is an artist and media theorist.
Dirk van den Heuvel is an architect and researcher at the Delft University of Technology.
Arnoud Holleman is a visual artist and writer, living in Amsterdam. In general, his work is based on the role of language in the experience of the visual.
Frank Furedi is professor of sociology at the University of Kent in Canterbury. His research has focused on the culture of fear in relation to issues such as health, children, education, food, terrorism and new technologies. His most recent book is Wasted: Why Education Is Not Educating (2009).
Bryan Finoki is the author of the blog Subtopia: A Field Guide to Military Urbanism. He lectures regularly and writes for newspapers and journals. He currently teaches at Woodbury University’s School of Architecture in San Diego, California.
Bianca Stigter is an art critic who writes for NRC Handelsblad, among other things. Bezette stad. Plattegrond van Amsterdam 1940–1945 (Occupied City. Map of Amsterdam 1940–1945) was published in 2005.
Eyal Weizman is an architect based in London. He is the director of the Centre for Research Architecture at Goldsmiths College (roundtable.kein.org). Since 2007 he has been a member of the architectural collective ‘decolonizing architecture’ in Beit Sahour / Palestine (www.decolonizing.ps). His books include The Lesser Evil (2009), Hollow Land (2007), A Civilian Occupation (2003) and the series Territories 1, 2 and 3.
John Armitage teaches contemporary art and cultural theory in the Department of Visual Arts at Northumbria University in Great Britain. He is co-editor, with Ryan Bishop and Douglas Kellner, of the journal Cultural Politics, editor of Virilio Live: Selected Interviews (2001), Paul Virilio: From Modernism to Hypermodernism and Beyond (2000), and is currently completing Virilio and the Media and Virilio Now: Current Perspectives in Virilio Studies.
Wietske Maas lives in Amsterdam and works for the European Cultural Foundation. As an artist she is working (together with Matteo Pasquinelli) on the project Urbanibalism, which explores the gastronomic geography between the ecological fabrics of the city (www.urbanibalism.org).
Pascale Gatzen (the Netherlands) is a fashion designer.
Tom van Gestel worked as the Head of the Visual Arts Commissions agency of the Ministry of Culture (1983–1995) and then joined the Mondrian Foundation, where he held the post of Head of the Visual Arts Commissions Department until 1999. Since then till 2012 he has been the artistic leader, senior curator and adjunct director of SKOR (Foundation for Art and Public Space).
Şeyma Bayram is a writer, editor and curator based in New York City. She received her BA and MA from the State University of New York at Binghamton.
Christel Vesters is a critic and independent curator. She studied art history and curating in Amsterdam, New York and London. She has curated various exhibitions and discursive projects on art and architecture and regularly contributes to international art magazines and art publications.
Lara Garcia Diaz is an independent art researcher. Her work focuses on the analyses of practices that challenge the boundaries between art and politics, considering alternative modes of empowerment through radical theories and practices of cultural resistance. Since 2014, she collaborates as an assistant researcher at the Van Abbemuseum, Eindhoven where she formalized her research on Urban Utopias and Spanish modern architecture in one of the rooms of the exhibition Confessions of the Imperfect. 1848 – 1989 – Today (2014–2015). Since 2015 she is extending her research on institutional contexts in collaboration with the Research Centre for Arts in Society, Groningen.
Thijs Witty is a PhD candidate at the Amsterdam School for Cultural Analysis (ASCA), University of Amsterdam.
Djoelia van der Velden is an active supporter of We Are Here since 2014. She holds a MA in Conflict Studies and Human Rights and is currently working as a writer and researcher at the Here to Support Foundation.
Patricia Pisters is professor of film at the Department of Media Studies of the University of Amsterdam and director of the Amsterdam School of Cultural Analysis (ASCA). She is one of the founding editors of the Open Access journal Necsus: European Journal of Media Studies. She has published on political cinema, transnational media, neurocinematics and film-philosophy. She is currently finishing a book on the Dutch filmmaker Louis van Gasteren and starting a project on ‘mines and minds’ around the idea of filmmakers and artists as metallurgists.
Binna Choi is since 2008 director of Casco – Office for Art, Design and Theory in Utrecht, the Netherlands, where she developed a multi-year trans-disciplinary and collaborative research project The Grand Domestic Revolution (2009 – 2014, with Maiko Tanaka) and the program Composing the Commons (2013–2015 / 2016). In this context, she’s part of the faculty of the Dutch Art Institute in Arnhem and Arts Collaboratory, trans-local “network” of over 25 art organizations that deal with social and political matters mainly in the so-called “global south” but beyond. She is also the curator for the 11th edition of Gwangju Biennale (2016).
Silvia Federici (1942, based in New York) is a teacher, activist, writer and co-founder of the International Feminist Collective, which initiated the International Wages for Housework campaign in the 1970s. She has authored many essays on political philosophy, feminist theory, cultural studies and education. Federici is Emerita Professor of Political Philosophy and International Studies at Hofstra University, Hempstead, New York. Her published works include: Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (2012); Caliban and the Witch: Women, the Body and Primitive Accumulation (2004); A Thousand Flowers: Social Struggles Against Structural Adjustment in African Universities (co-editor) (2000); and Enduring Western Civilization: The Construction of Western Civilization and its “Others” (editor) (1995).
Tine De Moor (1975, based in Utrecht) is Professor of Institutions for Collective Action in Historical Perspective at the department for social and economic history of Utrecht University. She is (co-)founder of International Journal of the Commons and has been a member of the executive council of the International Association for the Study of the Commons since 2008. De Moor is a member of both the Young Academy of Europe and the Young Academy of The Royal Netherlands Academy of Arts and Sciences. Information about her research can be found at www.collective-action.info.
Anke Coumans is professor of the research group Image in Context at the Hanze University of Applied Sciences in Groningen. This research group is part of the Research Centre Art & Society. The different ways in which artists can bring about change in society is the key subject of study in this centre. Research is taking place on the following topics: the political role of the artist in society, photography as research, interculturality and the designer as agent of change in social contexts. Anke Coumans was educated as a film theoretician in Nijmegen and Paris and obtained her PhD in semiotics and the public image. In addition to her work for Hanze University Anke Coumans works at HKU in Utrecht. Together with Ingrid Schufelers she works as a social ecological designer on the project Membranen. In this project students, teachers and partners work together in a dynamic environment in which the redefining of social relations creates a playground which makes room for new perspectives, insights and possibilities for real innovation.
Bibi Straatman is lecturer cultural studies en (design) research methodologies at the ArtEZ Fashion Masters Arnhem and at the Utrecht School of the Arts, and postdoc Researcher for the Reserch Group ‘Image in Context’, Minerva, Groningen, about the (‘political’) role of practice driven artistic research & design projects in the public domain. Her PhD, Palimpsest. Slow thinking, on actorship and revolution, is about re-founding our notions of science and scientific research, by deconstructing oppositional pairs such as science & art, theory & practice, discursive, hermeneutic analysis & experience, mind & body. Main thesis: science, art and design are means to produce and support change and to acquire actorship. Science, art and design are tools for transformation and / or for transformational thinking.
Ida Sabelis is Associate Professor and Program Director for the Master (MSc) Culture, Organization and Management (organizational anthropology) at VU University, Amsterdam, Faculty of Social Sciences. Her research entails diversity and gender studies; time/s and sustainability in organizations; and a focus on critical-creative methods. Her publications include "Frayed Careers: exploring rhythms of working lives", Gender, Work and Organization 20 (2013) with Elisabeth Schilling; "Juggling difference and sameness: Rethinking strategies for diversity in organizations", Scandinavian Journal of Management, 29 (2013) with Halleh Ghorashi, Making Time (2002) with Barbara Adam and Richard Whipp, and Wider das Diktat der Uhr (ed. with Karl Heinz Geissler and Klaus Kümmerer , 2006, Hirzel Verlag). She is joint Editor-in-Chief for the journal Gender, Work and Organization; editorial board member of Time & Society (Sage); and member of the German ‘Zeitakademie’ (time and sustainability) in Tutzing, Bavaria. She has been involved with the Veronruste VU-ers from the start – and has, among other things, chaired debates and hearings about current ‘neoliberal’ developments at VU University. Currently she works on a book ‘The End of University’ (working title) with Leonidas Donskis, Frans Kamsteeg, Stefano Bianchini, and Harry Wels.
Hu Wei (1989, Dalian, China) is an artist doing a MFA program at Dutch Art Institute, Arnhem. He holds a BA Degree in Painting from Central Academy of Fine Art (2008 – 2012). Since 2013, he has been working as a programmer at an independent art space named Institute for Provocation. Currently he is based between Beijing and Amsterdam. Hu works with multi-media including video, installation and micro-performance. His work has been exhibited in Amsterdam, Berlin, Tijuana, Beijing, Shenzhen.
Charlie Dance (1986, UK) is a visual artist and writer living and working in Warsaw, Poland. He graduated from his BA from Glasgow School of Art in 2010 and his Masters of Fine Arts from the Dutch Art Institute in July 2015. His practice revolves around the status of art, artists and the role of the image and truth. His recent projects include a video work, The Difficulty of Thinking About Things in a Straight Line, and the thesis A Bird In the Hand… for more: www.cargocollective.com.
Jesse van Winden holds a research degree in Visual Arts, Media & Architecture (cum laude) from VU University Amsterdam. His dissertation ‘Destabilising Critique: Personae in between self and enactment’ (2014) offers a historically founded theoretical framework of persona and a method to analyse persona performance, and was received with high esteem. He is chief editor of Kunstlicht, a peer-reviewed journal for visual arts, visual culture, and architecture. He presented his research on persona at ‘Facing the Unknown: Anonymity in the History of Art’ (Case Western Reserve University / Cleveland Museum of Art, 2014) and ‘Otherness and Transgression in Celebrity & Fan Cultures’ (Cultural Transformations Research Group, Aarhus University, 2014). For Kunstlicht, Van Winden prepares a journal issue (working title: Persona) expected Summer 2015.
Eduardo Cachucho is an artist based between Brussels and Johannesburg, with an MFA from the Dutch Art Institute (DAI) in 2015. He lectures Digital Representation at the University of Johannesburg and continues various longterm research projects into national and trans-national infrastructural developments and their long lasting effects.
Sebastian De Line is a Chinese-Métis artist, born in Canada and residing in the Netherlands. His scholarly interests include indigenous philosophy, sovereignty, new materialism, and queer and feminist theory.
Kastė Šeškevičiūtė (1989, Lithuania) is a visual artist, performer and researcher based in the Netherlands. She holds a Bachelors degree of Painting from Vilnius Academy of Arts (2012) and a MFA from the Dutch Art Institute, Arnhem (2015).
Ben Burtenshaw graduated from the Dutch Art Institute in 2015. His work as an artist is interested in how art can mediate a perceived technological divide. In other words, how the ‘truths’ of science are understood and utilised culturally.
Monique Hendriksen (1982, NL) graduated from the Dutch Art Institute (DAI) in 2015. She has a background in economics. Her artistic practice is informed by the desire to radicalize the space of art through her outspoken appropriation of visual systems in mix with abstract configurations. Her practice bridges multiple mediums including lecture performance, video essay, sound and PowerPoint animation. Art is at stake for her as a possibility to discuss the entangled relations between art, theory, politics and economics in relation to living conditions. She critically considers the complex nature of our digital condition as well as the neoliberal condition through her personal engagement with it.
Miguel Ángel Rego Robles is an artist and researcher who lives in both Spain and the Netherlands. He studied Computer Science and Fine Arts at Complutense University in Madrid and is currently working on his Master of Arts degree at the Dutch Art Institute in Arnhem, the Netherlands. He was awarded a pre-PhD scholarship with which he works at the CSIC (Spain) and is a member of the editorial and artistic collective Brumaria. He has exhibited his projects and lectured in both national and international contexts.
Rik Peeters is a researcher at the Tilburg School of Politics and Public Administration (Tilburg University). In The Preventive Gaze (2013) and other works he analyses the consequences of preventative policies for the role of government in contemporary society.
Clare Birchall is a Senior Lecturer at King’s College London. She is the author of Knowledge Goes Pop: From Conspiracy Theory to Gossip (Berg, 2006) and co-editor of New Cultural Studies: Adventures in Theory (Edinburgh University Press, 2007). She has also edited special issues of the journals Theory, Culture and Society and Cultural Studies. Her most recent research is concerned with the relationship between secrecy and transparency in the digital age and she is part of an ESRC grant to fund a series of research seminars on such issues entitled “DATA – PSST! Debating and Assessing Transparency Arrangements – Privacy, Security, Surveillance, Trust.” Alongside more traditional scholarship, Birchall is involved with a number of digital projects. She is one of the editors for the online journal Culture Machine; an editorial board member and series co-editor for the Open Humanities Press; and part of the team behind the JISC-funded Living Books About Life series.
Amir Avraham is a graphic designer working and living in the Netherlands. After studying Graphic Design in Jerusalem and Zürich and working as a graphic designer in the cultural field in Tel Aviv, he recently finished his MA at the Werkplaats Typografie in Arnhem, the Netherlands. Since the inception of his practice, his work has been focusing on printed matter, site specific projects and new forms of digital publishing, their methodology, image and social effect.
Michael Seemann studied cultural science in Lüneburg, Germany. In 2010 he started ctrl-verlust.net – a blog about theorie of losing control over data in the internet. It started as a blog project of the the German Newspaper Frankfurter Allgemeine Zeitung (FAZ) and was later run individually. In 2014 the latter topic was turned into a book: Das Neue Spiel – Strategien für die Welt nach dem digitalen Kontrollverlust. It was also partly translated into an English version with the title: Digital Tailspin – 10 Rules for the Internet after Snowden. Michael Seemann lives and writes in Berlin. He occasionally writes articles for several German magazines, newspapers and online news sites and also works as a lecturer, keynote speaker and consultant.
Marc James Léger is an independent scholar living in Montreal. He is editor of The Idea of the Avant Garde – And What It Means Today (2014) and Culture and Contestation in the New Century (2011). He is author of Drive in Cinema: Essays on Film, Theory and Politics (2015), The Neoliberal Undead (2013) as well as Brave New Avant Garde (2012).
Elian Somers (Sprang-Capelle, 1975) lives and works in Rotterdam. She completed her Master in Architecture at the Delft University of Technology and her Master in Photography at AKV St. Joost in Breda. In her long-term projects she questions the utopian urban landscape and the ways its ideological foundations and (virtual) histories are manifested and interpreted. Her works have been shown at various exhibitions, amongst others Border Theories (solo) at Stedelijk Museum Bureau Amsterdam (2013), Between the Map and the Territory at TENT, Rotterdam (2012) and Learning from… Rotterdam at Kunsthalle Wilhelmshaven (2012). In 2013 the book Border Theories was launched.
Érik Bordeleau is researcher at the SenseLab (Concordia University, Montreal). He is the author of Foucault anonymat (Le Quartanier, 2012, Spirale Eva-Legrand 2013 award) and of Comment sauver le commun du communisme? (Le Quartanier, 2014). He is interested in the current speculative turn in contemporary continental thought and has recently published ‘Bruno Latour and the Miraculous Present of Enunciation’ in the book Breaking the Spell: Contemporary Realism Under Discussion (Anna Longo and Sarah de Sanctis (eds.), Mimesis, 2015).
Manoel Silvestre Friques (1982, Rio de Janeiro) is an Assistant Professor at School of Engineering at UNIRIO, Brazil. He is a PhD candidate in the History of Art programme at the Department of Social Cultural History (PUC-Rio). He is currently a Visiting Scholar at the Department of Art History and Archaeology at Columbia University, New York. For the past decade, he has been involved in various Brazilian cultural projects either as curator or as dramaturge.
Renan Laru-an (born Sultan Kudarat) is a researcher, a curator and the founding director of Philippines-based DiscLab – Research and Criticism. He is jointly curating the 8th On Demasculinization Indonesia Media Arts Festival, Jakarta (with Julia Sarisetiati, 2017), and is a member of the founding team of the new public institution the Philippine Contemporary Art Network (PCAN) temporarily housed at the Vargas Museum, where he leads and designs the research programme Public Engagement and Artistic Formation. He has initiated research as curator-in-residence at Hangar, Barcelona (2016) and the Centre for Contemporary Art, Ujazdowski Castle, Warsaw (2016). In 2017, he received the Curatorial Development Award from Forecast in cooperation with Haus der Kulturen der Welt, Berlin to produce new performances of four artists from Indonesia, the Philippines, Spain and Iran for his project The Artist and the Social Dreamer with Hou Hanru.
Stephanie Danner (1987, Austria) is a writer, theorist and artist living and working in Switzerland.
k.g. Guttman (Canada) is an artist and research candidate in the PhDArts program of Leiden University and the Royal Academy of Art in the Hague, the Netherlands. Her work, funded through the Social Sciences and Humanities Research Council of Canada (SSHRC), considers post-colonial discourse, choreographic practice, and site-specific interventions.
Yota Ioannidou (Athens) graduated with a BA from the Athens School of Fine Arts and a MFA from the Dutch Art Institute (Arnhem). In her projects Ioannidou creates and revises archives, following a process of research (visits in archives and in situ research), collection (texts, images, data, maps, films), recordings of interviews or discussions. The formulation of the research material combines performance as storytelling and formation of reading and performing groups on the research subject. Ioannidou's projects investigate issues related to social struggles and act to question and cross-examine phenomena triggered and maintained by various hierarchical structures for political, cultural or social reasons. Recent projects include Good Morning Mr. Mesmer, 2015–present, Kunsthalle Exnergasse, Vienna; The Storyteller, The Knife and The ‘Machine’, 2013, 4th Athens Biennale; Voice_Over, 2012; Aula Intergalactica (with Teresa Maria Diaz Nerio), 2011, Word of Mouth curated by Kernel for the 3rd Athens Biennale; and On the hill one happens to be sitting on – A tribute to failure, 2011–2013, various locations.
Stavros Stavrides, architect and activist, is associate professor at the School of Architecture, National Technical University of Athens Greece, where he teaches graduate courses on housing design (including social housing), as well as a postgraduate course on the meaning of metropolitan experience. He has published numerous articles on spatial theory. His books include: The Symbolic Relation to Space (1990), Advertising and the Meaning of Space (1996), The Texture of Things (with E. Cotsou, 1996), From the City-Screen to the City-Stage (2002, National Book Award), Suspended Spaces of Alterity (2010), Towards the City of Thresholds (in English, 2010, forthcoming in Spanish and Turkish) and Common Space (in English, forthcoming). His research is currently focused on forms of emancipating spatial practices and spaces of commoning.
Jammie Nicholas (1987, UK) is an artist, occasional curator and occasional writer. He is currently studying at the Dutch Art Institute (DAI, MFA ArtEZ, Arnhem) and likes the nuances of things.
Rick Dolphijn is a writer and philosopher teaching in the Faculty of Humanities, Utrecht University. He is interested in continental philosophy, art, technology and contemporary activism. He published in journals like Collapse, Deleuze Studies and Continental Philosophy Review. His books include This Deleuzian Century: Art, Activism, Life (edited with Rosi Braidotti) (2015) and New Materialism: Interviews and Cartographies (edited with Iris van der Tuin) (2012). Currently, Dolphijn is finishing a new monograph entitled Surfaces: How Philosophy and Art Matter.
Ana Džokić and Marc Neelen work together as STEALTH.unlimited (Belgrade / Rotterdam). Initially trained as architects, for over fifteen years their work is equally based in the context of contemporary art, urban research and spatial activism. Džokić is a Practice-based Researcher at the Royal Institute of Art, Stockholm. Neelen is a Visiting Professor at the Sheffield School of Architecture. They are among the founders of Who Builds the City [Ko gradi grad] platform in Belgrade since 2010. In 2013, they co-initiated City in the Making [Stad in de maak] in Rotterdam.
Abla elBahrawy is an architect and researcher from Cairo. Her practice oscillates between architecture, archaeology and art. She recently graduated with an MFA from the School of Missing Studies at the Sandberg Institute in Amsterdam and is artist in residence at the Jan van Eyck Academie, Maastricht from 2016–2017.
Aarti Sunder is interested in ideas that create the subject: thought and the nature of being, territory, time, space, relationality and potential; how we relate to them; and how these ideas affect and make us. These forces of abstraction that create the individual become the form and the content of her practice through making or collecting or plotting. In 2015 she graduated from The Dutch Art Institute (DAI, MFA ArtEZ, Arnhem).
Alena Alexandrova is an Associate Professor at the Bergen Academy of Art and Design and Lecturer at the Gerrit Rietveld Academy, Amsterdam. She obtained her doctoral degree from the University of Amsterdam. She has published internationally in the fields of aesthetics, performance and visual studies and works as an independent curator.
Mirjam Linschooten is a visual artist working with installation, publication, collage and photography. Her work is concerned with tactics of representation and questions the way memory and history are constructed through various forms of collecting, interpreting and display. She has participated in several artists’ residency programmes and has exhibited in various countries including Canada, Egypt, France, Morocco, the Netherlands, Turkey and the United States. Mirjam completed her Bachelor of Graphic Design at the Gerrit Rietveld Academie, Amsterdam and is currently enrolled in the MA Art Praxis programme at the Dutch Art Institute, Arnhem.
Malcolm Kratz: My occupation is unknown. Not that it is a secret – it is merely because I don’t really know what I am. What I do know is that our society is fucked in the way it’s organized now. We’re hoping for some techno-fixes for our climate, while what we actually do is look away and carry on with our lives. Children are the new seeds of our society that should be supported in their free development of understanding, rationally and emotionally, but also in their movements and ways of thinking. We need to build a platform for cooperation, common the school system and think together with our kids about our future, the future of this planet and a post-growth society!
Giulia Crispiani is an Italian visual artist and writer based in Amsterdam. She received a BFA from the Ceramics Department at Gerrit Rietveld Academie, Amsterdam in 2015 and completed a degree in Industrial Design at the University Sapienza, Rome in 2009. From 2013–2014, she was part of the Art and Research Honours Programme (Rietveld Academie and University of Amsterdam). She is currently pursuing an MA in Art Praxis at the Dutch Art Institute, Arnhem. Crispiani’s practice shows a stable trajectory moving from a base in the visual and object to the textual.
Maike Hemmers is a German artist, living and working in Rotterdam. Her current research includes the conception of ordinary and imagined spaces, the boundaries between bodies and the notion of ‘nothing.’
Jack Segbars is an artist, curator and writer, engaged with the conditions and parameters that shape art production. Segbars explores the different forms and positions that shape the praxis of art: the artist, the role of language and discourse in art production and the role of the curator. He currently works as a PhD researcher at the University of Leiden. In 2009 the publication Rondom-All around the periphery (Onomatopee) was published, dealing with the overlap of positions and domains. In 2012 he produced the publication Inertia (Onomatopee). Segbars is one of the intiators of Platform Visual Arts (Netherlands), a platform researching the role of art in times of political change and austerity. Segbars regularly writes reviews and articles on art and art-related subjects for publications including Metropolis M.
Anselm Franke is a curator and writer based in Berlin. He is Head of Visual Art and Film at the Haus der Kulturen der Welt, where he co-curated The Anthropocene Project (2013–2014), and the exhibitions The Whole Earth; After Year Zero (both 2013), Forensis (2014), Ape Culture (2015) and Nervous Systems (2016), among others. In 2012, he curated the Taipei Biennial, and in 2014, the Shanghai Biennale. Franke’s exhibition project Animism has been presented in Antwerp, Bern, Vienna, Berlin, New York, Shenzhen, Seoul and Beirut in various collaborations from 2010 to 2014. Previously, Franke was curator at KW Berlin and director of Extra City Kunsthal Antwerpen. He completed his PhD at Goldsmiths College London.
Ana Teixeira Pinto is a lecturer at UdK (Universität der Kunste) Berlin and her writings have appeared in publications such as e-flux journal, Art Agenda, Mousse, Frieze / de, Domus, Inaethetics, Manifesta Journal, or Texte zur Kunst. She is the editor of The Reluctant Narrator, published by Sternberg Press (2014) and more recently contributed to Alleys of Your Mind: Augmented Intelligence and its Traumas, edited by Matteo Pasquinelli and published by Meson Press (2015).
Zhenia Vasiliev comes from a varied background, initially trained as a journalist and later as an illustrator. Despite having spent a big part of his career working as a print designer for book publishers and magazines, his current interest lies in the sphere of digital media, a field in which he now works as an illustrator and information designer. His work focuses mainly on data visualization and infographics, and more theoretically, on human-machine interaction in a post-human world.
Alessandra Renzi is a practitioner and theorist, exploring the linkages between media, art, and activism through ethnographic studies and media art projects. Her current research focuses on radical uses of data for social and environmental justice. She is Assistant Professor in Emergent Media for the Department of Art + Design and for the Program in Media and Screen Studies at Northeastern University. Alessandra is co-author of Infrastructure Critical: Sacrifice at Toronto’s G8 / G20 Summit (ARP Press, 2012) and co-producer of the documentary Preempting Dissent: Policing the Crisis on Government Surveillance after 9-11. Her media projects have been featured at Transmediale Festival in Berlin, the Hemispheric Institute’s Encuentro in Sao Paulo, Brazil and the Queens Museum of Art in New York.
Michel Bauwens is the founder of the P2P Foundation, a global research and activist / advocacy network studying the emergence of peer production and commons-centric economic, political and social forms. He lives in Thailand since 2003, and is undertaking, in the spring of 2017, a Commons Transition Plan for the City of Ghent, Belgium. He is the co-author of the report Value in the Commons Economy, which researches and analyzes the current transition in value regime.
Sarah Jones is an artist, writer and curator. She is a PhD candidate with the University of New South Wales School of Art and Design. She was awarded her MFA from the Dutch Art Institute in 2015. Her practice explores publishing-as-process through the complicated materiality of text-based artworks. See further: www.sarahjones.net.au.
Marysia Lewandowska is a Polish-born, London-based artist who has been exploring the public functions of archives, museums and exhibitions through a research-based practice resulting in exhibitions, publications and films. She has initiated projects involving the property of others to create new relations between forms of knowledge and ownership, activating reflections on the commons, the social and immaterial public domain. She is co-editor of Undoing Property? (Sternberg Press, 2013). See further: www.marysialewandowska.com.
Esther Polak and Ivar van Bekkum work together as an artist-couple under the name PolakVanBekkum. Their work focuses on landscape and mobility. Rooted in the history of Dutch realistic landscape depiction, they embrace new technologies to express personal experiences of contemporary city and countryside spaces. Their projects are often informed by collaborations with participants, be it with humans, objects or even the rays of the sun.
Sarah Demeuse (US / Belgium) makes exhibitions and writes. She often works collaboratively as Rivet. She is the instigator behind dos, a forthcoming podcast series. Sarah also teaches in the Curatorial Practice MA programme at School of Visual Arts in New York.
Wayne W. J. Lim (born 1989) is an art practitioner who writes, researches and occasionally makes things that revolve around political economy and geopolitics concerning the economics of identity and precariousness caused by economic or state regimes. Due to his research, writing and travelling practice, he is often challenged to transfer local / cultural / social / political codes through a method of speculation and strategic thinking, in the hope of opening up possibilities for imagination or an alternative future. See further: www.waynewjlim.com.
Thalia Hoffman (1979, DE) is a visual artist working in film, video, performance and public interventions. She holds a BA in Humanities from the University of Bar-Ilan, and is an MFA graduate (with honours) in Fine Arts from the University of Haifa, where she is currently teaching. Hoffman directed the full-length documentary (To each his own, 2005) and several short experimental films and is working as an independent film director and editor. In addition Hoffman works on and develops social / political change programmes using film and video within different communities. She also approaches this work through cooking and feeding, both in professional and artistic contexts. All of her work strives to be involved in its surroundings and engage people in looking at, listening to and feeling their social / political landscape with attention. Hoffman’s films, video works and performances have been shown in group exhibitions and festivals in Israel and around the world. See further: www.thaliahoffman.com.
Agata Cieślak (born Łódź, 1990 currently living in Warsaw) works with narrative and storytelling. She is interested in the relation between historical facts and artefacts, personal experiences, fiction, and falsifying. Her works take different forms – objects, images, performance and text. There is always the possibility that this text could be just an introduction to another story.
Maya Watanabe is a Peruvian visual artist who works with video installations. Her work has been exhibited at: Palais de Tokyo, Paris; Matadero Madrid, Kadist Art Foundation, San Francisco; Das Fridericianum, Kassel; Museo de Arte Contemporáneo de Lima; and Kyoto Art Center among others. She has been featured in festivals including: Videobrasil, São Paulo; LOOP, Barcelona; FILE, São Paulo; Madrid Abierto; Havana Film Festival; and Beijing Biennale. She has also collaborated as a set designer and audiovisual art director for theatre plays performed in Peru, Spain, Austria and Italy. Watanabe is based in Amsterdam.
Areumnari Ee is a media artist currently based in the Netherlands and South Korea. Her practice extends from video, sound, performance to installation. She collects images and sounds, stories from daily experiences, and mixes these in a critical way with myths and literature. Her works have been shown in various countries including the Philippines, China, Argentina and Colombia.
Pitchaya Ngamcharoen works with anything from ants to monkeys, from food to animal droppings. Her recent occupation and research deals with the hierarchy of human senses, which, she believes, establishes the hierarchy of knowledge that we apply today. How do we avoid isolating scent while de-hierarchicalizing / deconstructing the human senses and advocating for the senses of smell, taste and touch to exploit the politics of their value? She also adopts a word / phrase by Chheng Phon, a master of Khmer classical dance, as a practice: “A garden with only one type of flower, or flowers of only one color, is no good.” See further: pitchayang.wordpress.com.
Mónica Lacerda lives and works between Porto and the Netherlands. Her artistic practice is an on going wordful dance – allowing words to be played by senses – taking a feminist and queer standpoint. The many ways in which Mónica engages with the written word brings out the bittersweetness that grows with the desire to be flooded by words. This overwhelming passion brings out the fragility and corruption of language, and the tension of constantly resisting the subversion of oppressive language. In an attempt to capture the nerve-wracking-now, Mónica's practice actively enquires — through thought and practice — the usefulness of language, where precision in the use of words is needed in turning them into a space for inclusion. Poems — written or performed, — choreographing an act of movement of the body through space, shaping as time unfolds.
Katja Dendulk is an artist, essayist and software developer particularly invested in questions surrounding future technologies, the relation between human and machine, routine, efficiency and redundancy in general, and corporate aesthetics. She currently lives and works in Rotterdam.
Wilfred Vlad Tomescu is a collector and curator of words; the sounds they make and carry and those they represent; the meanings they stand for and their misinterpretation. Wilfred is a wordsmith – often composing collected, found or archived material – who has a keen interest in working with the deep nuances of language and exploring the linguistic craft through text-based performance, sound installation, embodied narratives and performative writing.
Louis Volont is a PhD researcher at the University of Antwerp and at the Culture Commons Quest Office. Working between cultural and urban sociology, he looks at the social production of public space through commons-based urbanism. His research interests are found in urban commons, social spatialization, assemblage theory and social architecture. Previously, as a research fellow at SMart Belgium, he has worked and published on topics such as career paths of artists / creative professionals, sustainable creativity and ‘third places’.
Walter van Andel is a PhD researcher at the Culture Commons Quest Office of the University of Antwerp. His research focuses on sustainable business models, innovation and organizational tensions at cultural and creative organizations. He holds a master degree in economics from the Erasmus University Rotterdam, and an MBA from Western Illinois University.
Ingrid Oosterheerd studied architectural history at the Vrije Universiteit in Amsterdam. She works as an independent author, researcher and (image) editor on books, magazines and exhibitions about architecture and urban planning. From 1992 to 2000 she worked at the Netherlands Architecture Institute in Rotterdam, alternately for the exhibitions and collection departments. From 2006 to 2010 she was a member of the editorial board of Stadscahiers. De transformatie van de bestaande stad. Currently she is architectural historian of the Committee on Spatial Quality and Heritage of the municipality Gooise Meren.
Saša Karalić studied language and literature at the Faculty of Philosophy, University of Novi Sad, Serbia, and graduated from the audio-visual department of Gerrit Rietveld Academie, Amsterdam where he now teaches Fine Arts. In his work, Karalić is primarily interested in how public discourse is constructed or shaped by an ideology, its reliance on visual forms and signs and the way it reinforces a particular belief system. He has had solo exhibitions and projects at venues including: Museum of Contemporary Art of Republika Srpska, Banja Luka, Bosnia and Herzegovina; Noorderkerk, Amsterdam; and National Gallery of Bosnia and Herzegovina, Sarajevo. He has participated in group exhibitions at venues including: Vienna Künstlerhaus; Kunsthalle Münster; Museum of Yugoslav History [now Museum of Yugoslavia], Belgrade; Stedelijk Museum Bureau Amsterdam; Lothringer13, Munich; and SeMA Biennale Mediacity Seoul. Karalić lives and works in Amsterdam.